Norah Jones's 'Little Room' had a release date set for January 1, 2007. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Little Room's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Not Too Late (Deluxe Edition)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Little Room's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Little Room by Norah Jones having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Still | Macy Gray | B Major | 6 | 1B | 144 BPM | ||
| Deceptively Yours - Dj Strobe 7 Below Zero Remix | Peter Malick, Norah Jones | F Minor | 4 | 4A | 111 BPM | ||
| Can I Stay | Ray LaMontagne | G Major | 1 | 9B | 113 BPM | ||
| (I'll Never Be) Your Maggie May | Suzanne Vega | A Major | 5 | 11B | 87 BPM | ||
| I'm Scared | Duffy | A Major | 4 | 11B | 90 BPM | ||
| Melody | Emilie Schiøtt | G Major | 3 | 9B | 100 BPM | ||
| At The Bottom | Beth Hart | F♯ Minor | 1 | 11A | 184 BPM | ||
| Flood Water | Eric Bibb | D Major | 3 | 10B | 94 BPM | ||
| You Never Called Me Tonight | Beth Rowley | G Minor | 5 | 6A | 138 BPM | ||
| Falling In Love With You Again | Imelda May | G Major | 3 | 9B | 91 BPM | ||
| Lilac Wine (feat. Imelda May) | Jeff Beck, Imelda May | C Major | 2 | 8B | 62 BPM | ||
| Closer to All | Emilie Schiøtt | A Major | 5 | 11B | 152 BPM | ||
| Firecracker | Frazey Ford | A♭ Major | 2 | 4B | 145 BPM | ||
| A Taste Of Honey | Lizz Wright | B Minor | 1 | 10A | 104 BPM | ||
| All My Love Is Gone | Lyle Lovett | G Major | 1 | 9B | 97 BPM | ||
| Only One and Only | Gillian Welch | E♭ Major | 2 | 5B | 88 BPM | ||
| Shy Boy | Katie Melua | C Major | 4 | 8B | 122 BPM | ||
| Don't Explain | Malia | G Minor | 1 | 6A | 89 BPM | ||
| Everybody's Cryin' Mercy | Karrin Allyson | B Minor | 3 | 10A | 103 BPM | ||
| Let It Be Me | Ray LaMontagne | C Major | 3 | 8B | 108 BPM | ||
| I Try | Macy Gray | B♭ Major | 2 | 6B | 83 BPM | ||
| Come Rain Or Come Shine - Live | Willie Nelson, Wynton Marsalis, Norah Jones | D Minor | 3 | 7A | 114 BPM | ||
| Strengthen What Remains | Tedeschi Trucks Band | G Major | 2 | 9B | 126 BPM | ||
| Way Over Yonder | Carole King | F Minor | 3 | 4A | 89 BPM | ||
| Half In | Frazey Ford | B Minor | 2 | 10A | 82 BPM |