Peter Duchin's ' "Superfly - 1997 Digital Remaster" was released on its scheduled release date, January 1, 1997. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Superfly - 1997 Digital Remaster's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Ultra-Lounge: On The Rocks (Part Two)". In this album, this song's track order is #15. Based on our statistics, Superfly - 1997 Digital Remaster's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Superfly - 1997 Digital Remaster by Peter Duchin having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Way I Want to Touch You | Arthur Greenslade | C Minor | 5 | 5A | 127 BPM | ||
| Ruby | Ronnie Aldrich and his 2 pianos | F Minor | 2 | 4A | 101 BPM | ||
| My Blue Heaven | Alex Brown Orchestra | E♭ Major | 1 | 5B | 121 BPM | ||
| Senza Fine | Joe Harnell | A♭ Major | 4 | 4B | 113 BPM | ||
| Central Park High | Peter Duchin | C Major | 6 | 8B | 137 BPM | ||
| Sun Goddess | Henry Mancini & His Concert Orchestra | A Major | 7 | 11B | 101 BPM | ||
| The More I See You - Instrumental | Hugo Winterhalter And His Orchestra | E♭ Major | 2 | 5B | 79 BPM | ||
| Mountain Greenery - Remastered | Ernie Freeman | F Major | 4 | 7B | 73 BPM | ||
| Caroline, No | Hollyridge Strings | B♭ Minor | 4 | 3A | 79 BPM | ||
| Hombre | Michel Legrand | G Major | 4 | 9B | 75 BPM | ||
| Old Cape Cod | Horatio Malvicino | F Minor | 5 | 4A | 87 BPM | ||
| Little Kisses | David Lindup | D Major | 2 | 10B | 137 BPM | ||
| Marimba / Toda una Vida | Gran Orquesta Romanticos De Cuba | D Minor | 5 | 7A | 112 BPM | ||
| Ye’āyinē tesifa | Tilaye Gebre, Dahlak Band | B♭ Major | 3 | 6B | 79 BPM | ||
| (IT'S) ALMOST LIKE BEING IN LOVE | The Starlite Orchestra & Singers | B♭ Major | 3 | 6B | 94 BPM | ||
| The Sweetest Sounds | Lester Lanin | D♭ Major | 2 | 3B | 107 BPM | ||
| Where Or When | Ronnie Aldrich, The Strings of the London Festival Orchestra | F Minor | 4 | 4A | 101 BPM | ||
| Peru '68 | Julius Wechter, The Baja Marimba Band | C Major | 4 | 8B | 170 BPM | ||
| Mammy Blue | Botticelli | C Minor | 3 | 5A | 120 BPM | ||
| Desafinado-Bright Bossa Nova | Lester Lanin | C Major | 3 | 8B | 88 BPM | ||
| Volare | Tony Mottola | A Minor | 2 | 8A | 108 BPM | ||
| The Girl from Rio | Ray Martin | C Major | 5 | 8B | 143 BPM | ||
| Broken Heart | Murry Wilson | B♭ Major | 3 | 6B | 83 BPM | ||
| 駅馬車 「駅馬車」より | Royal Pops Orchestra | C Major | 4 | 8B | 208 BPM | ||
| The Last Happy Song | Nick Perito Orchestra | F Major | 6 | 7B | 162 BPM |