Messiah, HWV 56 / Pt. 2: All We Like Sheep Have Gone Astray by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis Song Details

George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis's 'Messiah, HWV 56 / Pt. 2: All We Like Sheep Have Gone Astray' had a release date set for January 1, 2013. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 49 in the song's album "The Messiah (Platinum Edition)". In this album, this song's track order is #3. In terms of popularity, Messiah, HWV 56 / Pt. 2: All We Like Sheep Have Gone Astray is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Messiah, HWV 56 / Pt. 2: All We Like Sheep Have Gone Astray by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -15.408 dB
Acousticness: 97%
Danceability: 43%
Energy: 36%
Instrumentalness: 0%
Liveness: 25%
Loudness: 74%
Speechiness: 4%
Valence: 23%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Messiah / Part 1: "And He Shall Purify The Sons Of Levi"	George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood	F♯ Minor	2	11A	177 BPM
Messiah, HWV 56 / Pt. 1: For, Behold, A Darkness Shall Cover The Earth	George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Ulkrik Cold	B Minor	1	10A	85 BPM
Adeste Fideles	Robert Shaw, Robert Shaw Chamber Singers	A Major	2	11B	117 BPM
As With Gladness Men Of Old	Choir of King's College, Cambridge, Sir David Willcocks	A♭ Major	2	4B	78 BPM
Messiah: Part 2, And with His stripes we are healed (Chorus)	The Sixteen	E Minor	2	9A	93 BPM
Lo, How A Rose E'er Blooming (Es ist Ein' Ros' Entsprungen)	Michael Praetorius, Kathleen Battle, Leonard Slatkin, The Boys Choir Of Harlem, Orchestra of St. Luke's, New York Choral Artists	G Major	1	9B	65 BPM
Shepherd's Chorus (From "L'Enfance du Christ")	Hector Berlioz, Tanglewood Festival Chorus, Boston Pops Orchestra, Keith Lockhart, John Oliver	E Major	0	12B	58 BPM
Vivaldi: Gloria in D Major, RV 589: IV. Gratias agimus tibi & V. Propter magnam gloriam	Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury	E♭ Major	3	5B	146 BPM
Lobet den Herrn, alle Heiden BWV 230: Denn seine Gnade	Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl	D♭ Minor	3	12A	79 BPM
Surely He Hath Borne Our Griefs	The Tabernacle Choir at Temple Square, Orchestra at Temple Square	F Minor	2	4A	120 BPM
Vom Himmel hoch: VI. Schlusschor "Lob, ehr sei Gott im höchsten Thron"	Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris	C Major	2	8B	92 BPM
Der Messias, HWV 56 - In deutscher Sprache / Erster Teil: 12. Chor "Denn es ist uns ein Kind geboren"	George Frideric Handel, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram, Elmar Schloter, Münchener Bach-Chor	D Major	4	10B	111 BPM
Messiah, HWV 56 / Pt. 1: IX. "O Thou That Tellest Good Tidings to Zion"	George Frideric Handel, Anne Sofie von Otter, The English Concert, Trevor Pinnock, The English Concert Choir	D♭ Major	1	3B	173 BPM
The Animal Carol	Robert DeCormier, Leonard Bernstein, New York Philharmonic	G Major	2	9B	123 BPM
Come,Thou Long Expected Jesus	The Scottish Festival Singers	E Minor	1	9A	132 BPM
Messiah, HWV 56 / Pt. 2: He Was Despised	George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Alfreda Hodgson	E♭ Major	1	5B	75 BPM
III. Every valley shall be exalted	London Philharmonic Orchestra	E Major	2	12B	95 BPM
Gloria in Excelsis (From Mass in C Minor, K.421)	The Tabernacle Choir at Temple Square, Orchestra at Temple Square	A Minor	4	8A	123 BPM
Patapan - Remastered 1997	Traditional, Robert Shaw Chorale, Robert Shaw, Robert Arnold	A Minor	5	8A	119 BPM
Thou Shalt Break Them	George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra	A Major	1	11B	115 BPM
I Saw Three Ships - Remastered 1997	Traditional, Robert Shaw Chorale, Robert Shaw, Robert Arnold	A Major	6	11B	134 BPM
Messe de Minuit, H. 9: Kyrie	Marc-Antoine Charpentier, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre	C Minor	0	5A	90 BPM
Lo! He Comes with Clouds Descending	Choir of St. John's College, Cambridge	G Major	1	9B	135 BPM
Oratorio de Noël, Op. 12: Prelude (In the Style of Seb. Bach)	Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann	G Major	1	9B	89 BPM
L'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell)	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tenebrae	E Major	0	12B	86 BPM