"Autumn 2" by Max Richter, Trio Fibonacci had its release date on September 27, 2024. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Max Richter, Trio Fibonacci's "Max Richter Remixed" album is number 9 out of 17. On top of that, Netherlands appears to be the country where this track was created. Autumn 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Autumn 2 by Max Richter, Trio Fibonacci to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Richter: The Departure | Dalal | E♭ Major | 1 | 5B | 106 BPM | ||
| Pari Intervallo (Version for 2 Pianos) | Arvo Pärt, Lucas Jussen, Arthur Jussen | F Major | 0 | 7B | 173 BPM | ||
| Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM | ||
| La condition | David Sztanke | A Minor | 3 | 8A | 119 BPM | ||
| desert i | kensuke ushio | A♭ Minor | 0 | 1A | 108 BPM | ||
| Bach, JS: Ach Gott, vom Himmel sieh' darein, BWV 2: Chorale. "Das wollst du Gott, bewahren rein" (Version for String Quartet) | Johann Sebastian Bach, Quatuor Arod | C Minor | 1 | 5A | 72 BPM | ||
| Arco: II. Second Movement | Oliver Davis, Kerenza Peacock, Paul Bateman | A Minor | 2 | 8A | 93 BPM | ||
| Ballade, L. 70 | Claude Debussy, Eline Marlene | A♭ Minor | 0 | 1A | 108 BPM | ||
| 4 Memento Mori: I | Marcus Paus, Joachim Kwetzinsky | D♭ Major | 4 | 3B | 140 BPM | ||
| 24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
| 12 Nocturnes: No. 12, Und die Sonne geht auf (Choralstudie) | Bent Sørensen, Katrine Gislinge | A♭ Minor | 0 | 1A | 108 BPM | ||
| Frost on the First Page | Bheto VN | A♭ Minor | 0 | 1A | 108 BPM | ||
| Cambridge 1963 (Arr. Knoth for Solo Violin & Ensemble) - From “The Theory of Everything“ | Jóhann Jóhannsson, Mari Samuelsen, Soyoung Yoon, Scoring Berlin, Jonathan Stockhammer | B♭ Major | 2 | 6B | 80 BPM | ||
| Castle of Lies | Bass Lover | E Minor | 0 | 9A | 120 BPM | ||
| Metamorphosis Three | Philip Glass, Joanna Sochacka | A♭ Minor | 0 | 1A | 108 BPM | ||
| Moods, 24 Short Pieces for Piano: XXIII. Duet | Mikael Tariverdiev, Evgeny Soifertis | A♭ Minor | 0 | 1A | 108 BPM | ||
| Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: III. Bell Prayers | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | D♭ Major | 0 | 3B | 64 BPM | ||
| In Dreams | Hanne Diamond | C Major | 0 | 8B | 202 BPM | ||
| Elegia III | Jaani Helander | E Minor | 3 | 9A | 167 BPM | ||
| A Delicate Flower | Danny Bensi and Saunder Jurriaans | A Minor | 1 | 8A | 66 BPM | ||
| Oneindig | Iris Hond | D Minor | 3 | 7A | 79 BPM | ||
| Comptine d’été No. 3 (From "Amélie") | Yann Tiersen, Anna Scheps | E♭ Major | 0 | 5B | 68 BPM | ||
| Six Pieces for Solo Violin: II. Arpeggio | Sophia Jani, Teresa Allgaier | E Minor | 1 | 9A | 117 BPM | ||
| Virtuoso Baroque Cello Solo | Rafael Krux | A♭ Minor | 0 | 1A | 108 BPM | ||
| Falling Upward | Chris Lippincott | A♭ Minor | 0 | 1A | 108 BPM |