"How We Fish" by Dan Romer, Saul Simon MacWilliams, Osei Essed had its release date on May 9, 2016. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Dan Romer, Saul Simon MacWilliams, Osei Essed's "Jim: The James Foley Story (Original Motion Picture Soundtrack)" album is number 2 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, How We Fish is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of How We Fish by Dan Romer, Saul Simon MacWilliams, Osei Essed to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| That's Not Normal | Geoff Zanelli | E Major | 2 | 12B | 132 BPM | ||
| Dream. Build. Repeat. (Stephen Hollis mix) | Jim Guthrie, J.J. Ipsen | C Major | 0 | 8B | 84 BPM | ||
| Arriving At College | Mark Mothersbaugh | F Major | 0 | 7B | 145 BPM | ||
| Conan Cab | Theodore Shapiro, José González, Mark Graham | B Minor | 1 | 10A | 177 BPM | ||
| Fog Bound | Klaus Badelt | E Minor | 1 | 9A | 86 BPM | ||
| Perennial | Thomas Williams | G Major | 2 | 9B | 70 BPM | ||
| Bedtime Story | Pinar Toprak | D♭ Major | 6 | 3B | 125 BPM | ||
| Bix's Message | Brandon Roberts | F♯ Major | 0 | 2B | 70 BPM | ||
| Rendezvous | Matt Morton | G Minor | 4 | 6A | 99 BPM | ||
| An Ordeal of the Most Grievous Kind | Jeff Danna | C Major | 2 | 8B | 120 BPM | ||
| Quagmire | David Schweitzer | A♭ Major | 3 | 4B | 95 BPM | ||
| Home Soil | Thomas Williams | G Major | 2 | 9B | 70 BPM | ||
| Los jefes creen que estás listo | Federico Jusid | E Minor | 0 | 9A | 128 BPM | ||
| Cloud Gazing (Original Video Game Soundtrack) | Paweł Górniak | G Minor | 2 | 6A | 90 BPM | ||
| Fanny's Perfume | Antony Partos | C Minor | 4 | 5A | 156 BPM | ||
| Skin | Ben Salisbury, Geoff Barrow | D♭ Major | 0 | 3B | 108 BPM | ||
| Journey Theme | Andrew Lockington | G Minor | 3 | 6A | 106 BPM | ||
| 72 Degrees and Sunny | Thomas Newman | F Major | 3 | 7B | 142 BPM | ||
| Long Ago, in Xadia | Frederik Wiedmann | E Minor | 3 | 9A | 85 BPM | ||
| Bringing Her Home - Bonus Track | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| Menu Music | Antonio Teoli | A♭ Major | 2 | 4B | 100 BPM | ||
| Prisoners | Jóhann Jóhannsson | C Minor | 2 | 5A | 89 BPM | ||
| I Wish I Could Take It Back | Dan Romer | A Minor | 1 | 8A | 68 BPM | ||
| Eyjafjallajökull | Theodore Shapiro, José González, Mark Graham | F Major | 2 | 7B | 124 BPM | ||
| An Endless Desert | Todd Baker | B Minor | 4 | 10A | 196 BPM |