"Lisa and Will" by Sam Ewing had its release date on August 12, 2022. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Lisa and Will's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sam Ewing's "Last Seen Alive (Original Motion Picture Soundtrack)" album is number 2 out of 18. On top of that, United States appears to be the country where this track was created. Lisa and Will is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lisa and Will by Sam Ewing to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Storm Is Coming | Jennifer June, Timothy Shortell | A Minor | 6 | 8A | 78 BPM | ||
| Arenas | Caos Ancestral | G Minor | 1 | 6A | 95 BPM | ||
| Echoes Beyond the Event Horizon | Adrian Valkor | G Minor | 4 | 6A | 137 BPM | ||
| Origin Story | West Dylan Thordson | G Minor | 5 | 6A | 80 BPM | ||
| Target Out of Reach | Steven Price | E Minor | 1 | 9A | 51 BPM | ||
| Mom’s Got Work | Adam Taylor | A Minor | 4 | 8A | 174 BPM | ||
| Bracelet | Peter Raeburn | A Minor | 1 | 8A | 111 BPM | ||
| In Frozen Waters | Hampus Naeselius | D Minor | 1 | 7A | 129 BPM | ||
| Ovi | Henry Jackman, Alex Belcher | A Minor | 0 | 8A | 68 BPM | ||
| Part of the Ocean | Diego Baldenweg, Nora Baldenweg, Lionel Baldenweg | A Major | 3 | 11B | 82 BPM | ||
| Returning the Ring | Blake Neely, Tony Kanal | D Minor | 0 | 7A | 78 BPM | ||
| I Started The Fire | Michael Suby | A Minor | 1 | 8A | 105 BPM | ||
| Following Patience | Hannes De Maeyer, Ruben de Gheselle | F♯ Major | 1 | 2B | 113 BPM | ||
| Main Titles - The Crowded Room | Trevor Gureckis | F Minor | 4 | 4A | 133 BPM | ||
| Things Best Left Buried | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM | ||
| Death And Baptism | Nick Cave, Warren Ellis | G Major | 1 | 9B | 110 BPM | ||
| Life And Death | Nainita Desai | C Minor | 1 | 5A | 105 BPM | ||
| Keila | Lucas Peire, Frank Montasell | A♭ Major | 5 | 4B | 100 BPM | ||
| Because You Love Me | Blake Neely | E♭ Major | 1 | 5B | 118 BPM | ||
| Bittersweet Symphony | The Crown, Fort Nowhere, Emma Allaway | A Major | 4 | 11B | 78 BPM | ||
| Beverly Hills | Aysel Kazim, Selenay Kazim | C Minor | 3 | 5A | 85 BPM | ||
| Skipping Stones | Bear McCreary | A Minor | 1 | 8A | 60 BPM | ||
| Defending Jacob Theme (Extended Version) | Ólafur Arnalds | B Minor | 3 | 10A | 130 BPM | ||
| Correction | Ian Arber, Dave Rowntree | E Minor | 1 | 9A | 155 BPM | ||
| Let's Go Home | Theodore Shapiro | E♭ Major | 1 | 5B | 144 BPM |