Manuel de Falla, Leo Brouwer's ' "de Falla: El Amor Brujo - Pantomina I" was released on its scheduled release date, October 27, 2017. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 45 out of 67 in Big Guitar Box 2 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, de Falla: El Amor Brujo - Pantomina I is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of de Falla: El Amor Brujo - Pantomina I by Manuel de Falla, Leo Brouwer is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vocalise-étude en forme de Habanera, M. 51 (Arr. A. Hoérée for Violin & Orchestra) | Maurice Ravel, ジェニファー・ギルバート, フランス国立リヨン管弦楽団, レナード・スラットキン | G Minor | 0 | 6A | 92 BPM | ||
| Casals: El cant dels ocells | Pablo Casals, Han-Na Chang, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A Minor | 0 | 8A | 88 BPM | ||
| Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
| Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 91 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: IV. Gavotte et Musette | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Minor | 1 | 7A | 74 BPM | ||
| Musica serena | Pēteris Vasks, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 65 BPM | ||
| 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | ||
| Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) | Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 82 BPM | ||
| Pièce en forme de Habanera, M. 51 (Arr. Catherine for Violin and Piano) | Maurice Ravel, Janine Jansen, Antonio Pappano | C Minor | 0 | 5A | 87 BPM | ||
| 3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
| Piano Trio in G: IV. Finale (Appassionato) | Claude Debussy, Trio Parnassus | E Minor | 0 | 9A | 177 BPM | ||
| Beau Soir, L. 6 | Claude Debussy, Janine Jansen, Itamar Golan | F♯ Minor | 0 | 11A | 88 BPM | ||
| Asturiana - I | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
| Quintet for Bassoon, Violin, 2 Violas and Violoncello in B-Flat Major, Op. 14: III. Andante | Johann Evangelist Brandl, Calamus Ensemble | B♭ Major | 1 | 6B | 136 BPM | ||
| Minuet in G Minor, HWV 434 No. 4 (Transc. W. Kempff) | George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 66 BPM | ||
| Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
| Tissue No. 7 | Philip Glass, Camille Thomas, Julien Brocal | B♭ Major | 0 | 6B | 75 BPM | ||
| Debussy Cakewalking | Belize Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| Gluck / Arr Siloti: Orphée et Eurydice, Wq. 41, Act I: Dance of the Blessed Spirits | Christoph Willibald Gluck, Alexandre Tharaud | B♭ Minor | 0 | 3A | 77 BPM | ||
| Ravel: Boléro, M. 81: Pt. 10 | Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande | C Major | 9 | 8B | 139 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Suite de danzas criollas, Op. 15: I. Adagietto pianissimo (2nd Version) | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 128 BPM |