Willy Cruz's 'Sorry Seems To Be The Hardest Word (Instrumental)' had a release date set for October 27, 2006. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Willy Cruz Silver Series [Instrumental] by Willy Cruz. The song's track number on the album is #10 out of 12 tracks. Based on our data, Philippines was the country where this track was produced or recorded. Based on our statistics, Sorry Seems To Be The Hardest Word (Instrumental)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sorry Seems To Be The Hardest Word (Instrumental) by Willy Cruz has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sorry Seems To Be The Hardest Word (Instrumental) being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All by Myself | Owen Richards | G Minor | 1 | 6A | 124 BPM | ||
| Tamis Ng Unang Halik | Willy Cruz | A Minor | 2 | 8A | 106 BPM | ||
| Paws Between Chords | Whispurr | B♭ Major | 2 | 6B | 73 BPM | ||
| Love Is Always There | Gary Prim | G Minor | 1 | 6A | 89 BPM | ||
| Starlit | The low key project | D♭ Major | 1 | 3B | 93 BPM | ||
| Adagio I | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Gentle Breezes | Gary Prim | D♭ Major | 1 | 3B | 86 BPM | ||
| The Homecoming | Owen Richards | C Major | 1 | 8B | 79 BPM | ||
| Be My Lady | Noel Bonnevie | A Major | 2 | 11B | 83 BPM | ||
| Muntik Ng Maabot Ang Langit | Josh Espinosa | A Major | 3 | 11B | 83 BPM | ||
| Take A Look At Me Now - From "Against All Odds" | David Osborne | D♭ Major | 2 | 3B | 82 BPM | ||
| Kung 'di Rin Lang Ikaw | RouenMusic | E Major | 1 | 12B | 136 BPM | ||
| Through the Rain | Willy Cruz | E♭ Major | 1 | 5B | 101 BPM | ||
| Hinahanap Hanap Kita | Rey Cantong | B Major | 5 | 1B | 113 BPM | ||
| Wishing You Were Here | Joe Yamada | D Major | 1 | 10B | 75 BPM | ||
| PliésⅠ- 사랑하기 때문에 | Ballet pianist Mia | C Major | 2 | 8B | 77 BPM | ||
| Love Lost Forever | Mira Rae | B♭ Major | 1 | 6B | 146 BPM | ||
| Night Clouds | Kokoro Shimizu | D Major | 3 | 10B | 145 BPM | ||
| You Found My Heart | Luvan Moreau | C Major | 0 | 8B | 74 BPM | ||
| What Matters Most (Instrumental) | Willy Cruz | C Major | 1 | 8B | 80 BPM | ||
| Where We Were | Adrian Perticone | F Minor | 1 | 4A | 106 BPM | ||
| Till It's Time | After Five Pianist | D Major | 1 | 10B | 124 BPM | ||
| Wind Beneath My Wings | John Troutman | A♭ Major | 1 | 4B | 121 BPM | ||
| Just You and I | Keith Martinson | F Major | 1 | 7B | 204 BPM | ||
| We're All Alone | Box Tree Orchestra | G Major | 3 | 9B | 140 BPM |