"Cristina" by José Salinas had its release date on September 12, 2025. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in José Salinas's "Hiraeth" album is number 1 out of 3. On top of that, United States appears to be the country where this track was created. Cristina is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cristina by José Salinas to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Toccata No. 2 | Arseniy Gusev | C Minor | 4 | 5A | 153 BPM | ||
| Pirouette | Jean-Philippe Rieu | E♭ Minor | 2 | 2A | 72 BPM | ||
| Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
| Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM | ||
| porta romana | praam | F♯ Major | 0 | 2B | 82 BPM | ||
| Plaisir D'Amour | Demian Dorelli | F Major | 0 | 7B | 132 BPM | ||
| String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
| Winter Whispers | Jonas Hoffmann | D Major | 0 | 10B | 85 BPM | ||
| Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai | Felix Mendelssohn, Quatuor Ébène | F Minor | 3 | 4A | 139 BPM | ||
| Harpsichord Concerto in F Minor: III. Allegro di molto | Jiří Antonín Benda, Francesco Corti, Il Pomo D'oro | C Minor | 3 | 5A | 112 BPM | ||
| Sonata No. 14 In C-Sharp Minor, Op. 27 No. 2: I. Adagio Sostenuto "Moonlight" | Ludwig van Beethoven, Minoire | D♭ Minor | 1 | 12A | 68 BPM | ||
| Another Sunshine | Luis Berra | B♭ Major | 0 | 6B | 100 BPM | ||
| Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
| Liszt: Romance, S. 169 "O pourquoi donc" | Franz Liszt, Yoav Levanon | E Minor | 0 | 9A | 67 BPM | ||
| Piano Concerto "The World of Yesterday": II. Waltz Variations – | Stephen Hough, Hallé, Sir Mark Elder | D Major | 1 | 10B | 140 BPM | ||
| St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | D Minor | 2 | 7A | 84 BPM | ||
| Endless Spring | Alberto Giurioli | C Major | 1 | 8B | 128 BPM | ||
| Rose Bloom | Thomas Horeczko, Braths, Vienna Radio Symphony Orchestra, Irene Delgado-Jiménez | D Minor | 3 | 7A | 80 BPM | ||
| La Barceloneta | Mikael Virtanen, Bastian Verte | A Minor | 0 | 8A | 126 BPM | ||
| this is what love is | Chad Lawson, James Southall, Thomas Gould, David O’Leary, Rachel Roberts, Richard Harwood | E Minor | 0 | 9A | 65 BPM | ||
| Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 88 BPM | ||
| Oriental (Arr. for Harp & Guitar) | Enrique Granados, Duo Multicorde, Andrés Madariaga, Maria-Theresa Freibott | E Minor | 0 | 9A | 92 BPM | ||
| Tchaikovsky: Swan Lake, Op. 20, Act 4: No. 26, Scene. Allegro ma non troppo | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 111 BPM | ||
| Dawn | Gabríel Ólafs | A Major | 1 | 11B | 67 BPM | ||
| Intermezzo, Op.76: No. 7 | Johannes Brahms, Minoire | A Minor | 0 | 8A | 68 BPM |