George Frideric Handel, Leonard Bernstein, New York Philharmonic's 'Messiah: Highlights: Hallelujah - Voice' had a release date set for 1957. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Leonard Bernstein's "Handel: Messiah Highlights" album is number 8 out of 11. Messiah: Highlights: Hallelujah - Voice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah: Highlights: Hallelujah - Voice by George Frideric Handel, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Agnus Dei (Arr. Guiraud After Intermezzo from L'Arlésienne, WD 28) | Georges Bizet, Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler | F Major | 2 | 7B | 80 BPM | ||
| In the Bleak Midwinter | Rosemary Joshua, Ian Bostridge, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | ||
| Do You Hear What I Hear? | US Air Force Symphony Orchestra | C Major | 2 | 8B | 55 BPM | ||
| It Came Upon A Midnight Clear | London Symphony Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| O Sanctissima | Robert Shaw | D Major | 2 | 10B | 59 BPM | ||
| Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah" | George Frideric Handel, Choir of King's College, Cambridge, Sir David Willcocks, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 181 BPM | ||
| Stille Nacht, Heilige Nacht | Traditional, Franz Xaver Gruber, Joseph Mohr, Garrison Keillor, Philip Brunelle, The Plymouth Music Series' Ensemble Singers & Orchestra | D Major | 1 | 10B | 101 BPM | ||
| Traditional: Ding dong! Merrily on High (After a French Noel from the 16th Century, arr. David Willcocks) | Choir of King's College, Cambridge, John Wells, Sir David Willcocks | B Major | 2 | 1B | 73 BPM | ||
| Watts Nativity Carol | R. Deane Shure, The Tabernacle Choir at Temple Square, Alexander Schreiner, Richard P. Condie | D♭ Major | 4 | 3B | 64 BPM | ||
| Oratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | A Minor | 1 | 8A | 70 BPM | ||
| I Wonder As I Wander | John Jacob Niles, Eugene Ormandy | D Major | 2 | 10B | 92 BPM | ||
| Sing With Us Of Christmas Medley | Erich Kunzel, Cincinnati Pops Orchestra, Indiana University Singing Hoosiers | B♭ Major | 2 | 6B | 116 BPM | ||
| Comfort Ye, My People | The Choir and Orchestra of Pro Christe | B Major | 0 | 1B | 87 BPM | ||
| "White Christmas" | Irving Berlin, Bryn Terfel, Philharmonia Orchestra, Paul Daniel | E♭ Major | 2 | 5B | 147 BPM | ||
| Hark, The Herald Angels Sing | The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | B♭ Major | 4 | 6B | 142 BPM | ||
| Ding Dong Merrily On High | The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | B♭ Major | 4 | 6B | 142 BPM | ||
| O Holy Night | Adolphe Adam, Vienna Boys' Choir, Aida Garifullina, Schubert Akademie, Gerald Wirth | E♭ Major | 3 | 5B | 87 BPM | ||
| Messiah, HWV 56: No. 44. Chorus: Hallelujah (Chorus) | George Frideric Handel, Eileen Farrell, Martha Lipton, William Warfield, The Tabernacle Choir at Temple Square, Eugene Ormandy, Philadelphia Orchestra, Gilbert Johnson | D Major | 3 | 10B | 100 BPM | ||
| Lieutenant Kije, Op. 60: Troika | Sergei Prokofiev, London Symphony Orchestra, Yuri Ahronovitch | G Major | 2 | 9B | 71 BPM | ||
| Ding Dong! Merrily on High | Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 2 | 6B | 99 BPM | ||
| Stille Nacht | Franz Xaver Gruber, Leonard Bernstein, New York Philharmonic | C Major | 1 | 8B | 127 BPM | ||
| Hark! The Herald Angels Sing! | The Tabernacle Choir at Temple Square | F Major | 3 | 7B | 100 BPM | ||
| Lullay, My Liking (I saw a maiden) | Gustav Holst, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 78 BPM | ||
| Heart and Mouth and Deed and Life, BMV 147: X. Chorus - "Jesu Joy Of Man's Desiring" | The London Symphony Orchestra & I Fiamminghi | G Major | 1 | 9B | 112 BPM | ||
| Silent Night | Leontyne Price | D Major | 1 | 10B | 92 BPM |