"Within A Day" by Craig Armstrong had its release date on June 24, 2016. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Craig Armstrong's "Me Before You (Original Motion Picture Score)" album is number 23 out of 23. On top of that, United States appears to be the country where this track was created. Based on our statistics, Within A Day's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Within A Day by Craig Armstrong to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Rain | Maurizio Malagnini | G Major | 2 | 9B | 89 BPM | ||
| A Sepulchre | George Fenton | A Major | 0 | 11B | 74 BPM | ||
| Don't Ask Me | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| Crowds Can Be The Loneliest Of Places | Craig Armstrong | A Minor | 1 | 8A | 80 BPM | ||
| Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
| Sunset of Heaven | Ernesto Vallini, Neon Lilith, Whine Anterstain, Metasymphony | D♭ Minor | 1 | 12A | 90 BPM | ||
| Climbing For A Kiss | Rupert Gregson-Williams | A Minor | 1 | 8A | 82 BPM | ||
| My Own Story | Christopher Willis | A Minor | 4 | 8A | 134 BPM | ||
| Ballycarbery Castle | Randy Edelman | G Major | 2 | 9B | 148 BPM | ||
| Leaving London - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas, Jonathan Snowdon, Robert Hill, Richard Morgan | G Minor | 1 | 6A | 80 BPM | ||
| A Golden Childhood | Patrick Doyle | G Major | 1 | 9B | 87 BPM | ||
| Goodnight Dear Void | George Fenton | E Minor | 1 | 9A | 115 BPM | ||
| Meet Will | Craig Armstrong | C Major | 2 | 8B | 124 BPM | ||
| Who I Want to Be | David Arnold, Michael Price | A Minor | 2 | 8A | 163 BPM | ||
| Our Great National Parks | David Schweitzer | D Major | 0 | 10B | 109 BPM | ||
| Yarmouth | Christopher Willis | G Major | 2 | 9B | 74 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| To Be Apart (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | G Minor | 1 | 6A | 154 BPM | ||
| Canoeing (Katie And Alex's Theme) | Deborah Lurie | D Major | 1 | 10B | 125 BPM | ||
| Etude in C-Sharp Minor, Op. 5 No. 1 | Daniel Eles | D Minor | 0 | 7A | 84 BPM | ||
| He Looked So Happy | Fernando Velázquez | C Minor | 1 | 5A | 77 BPM | ||
| Remembering Marilyn | Lang Lang, Conrad Pope | F Major | 0 | 7B | 73 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| Tribune Tower | Mark Isham | A Major | 1 | 11B | 91 BPM |