"Smile - from "Modern Times (Les temps modernes)"" by Riner Philips, John Turner, Geoffrey Clare, Mont Parsons, Charlie Chaplin, Jean-Michel Bernard had its release date on April 26, 2024. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Smile - from "Modern Times (Les temps modernes)"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Piano Cinema III". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Smile - from "Modern Times (Les temps modernes)" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Smile - from "Modern Times (Les temps modernes)" by Riner Philips, John Turner, Geoffrey Clare, Mont Parsons, Charlie Chaplin, Jean-Michel Bernard having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Águas de Março (Arr. for Two Pianos by Marco Bernardo) | Fabio Caramuru, Marco Bernardo | B Minor | 3 | 10A | 143 BPM | ||
| Squatty Roo | Ellis Marsalis | B♭ Major | 2 | 6B | 122 BPM | ||
| Eco de sax | Kaelux | G Minor | 3 | 6A | 113 BPM | ||
| Fun and Funner | Dan Crisci | C Major | 1 | 8B | 170 BPM | ||
| Good Times Groove | Urban Regensburger | B♭ Major | 0 | 6B | 110 BPM | ||
| Green Dolphin Street | Mellow In Blue, Mathias Heise, Erlend Slettevoll, Johnny Åman, Anders Mogensen | C Minor | 4 | 5A | 80 BPM | ||
| Echoes on Ivory and Gold - Jazz Version | Between Silences, Across the Brass | G Minor | 3 | 6A | 113 BPM | ||
| Under Loves Spell | Niko de Oro | D♭ Major | 3 | 3B | 143 BPM | ||
| Summer’s Good Times | New RiSEN | G Major | 6 | 9B | 121 BPM | ||
| Suspended | Selva Lune | B Minor | 3 | 10A | 121 BPM | ||
| The Keys to the Big Room | Hugo Focus, Shusuke Inari | F Minor | 2 | 4A | 126 BPM | ||
| Suite Esmerelda for Flute and Piano: III. Stone Ridge Rag (Remix) | Eric V Baum, Joanne Lazzaro, Bryan Pezzone | G Minor | 4 | 6A | 126 BPM | ||
| 8 de Janeiro | Uaná Barreto | G Minor | 3 | 6A | 88 BPM | ||
| Pig Rag | Dr. Jazz Duo | D Major | 5 | 10B | 135 BPM | ||
| Hallowed | Maceo Valiente | C Minor | 3 | 5A | 148 BPM | ||
| Rain on 52nd Street | Blue Quartet | G Minor | 3 | 6A | 113 BPM | ||
| Silent Sigh on Piano | Cat Cabaret | F Minor | 1 | 4A | 108 BPM | ||
| Jill’s Swingin’ Blues | Diner Express | C Major | 2 | 8B | 90 BPM | ||
| Pearls in the Powder Room | The Temporal Orchestra | F Minor | 4 | 4A | 119 BPM | ||
| Deep Thought Process | Hugo Focus | B♭ Major | 1 | 6B | 84 BPM | ||
| Lady Be Good | Judy Carmichael | F Major | 3 | 7B | 126 BPM | ||
| Nocturne No. 9 in B Major, Op. 32 No. 1 | Jacques Loussier | A♭ Major | 2 | 4B | 102 BPM | ||
| Battements Tendus - Black and White Chess | 真家香代子 | C Minor | 3 | 5A | 126 BPM | ||
| You Surprise Me Blues | Simon Armitage | F Major | 1 | 7B | 73 BPM | ||
| Celebracao Jazz Vida | Jazz de Natal | E♭ Major | 1 | 5B | 80 BPM |