- BPM
- 80
- Key
- F Major
- Camelot
- 7B
Pines Of Rome by Chicago Symphony Orchestra Song Details
"Pines Of Rome" by Chicago Symphony Orchestra had its release date on 1999. This song appears to be safe for all ages as it is not explicit. The song is number 2 out of 8 in Fantasia 2000 (Japan Release Version) by Chicago Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Pines Of Rome is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Pines Of Rome by Chicago Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -16.321 dB
- Acousticness
- 28%
- Danceability
- 11%
- Energy
- 25%
- Instrumentalness
- 85%
- Liveness
- 34%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pines of Rome, P. 141: IV. I pini della Via Appia | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | B Major | 3 | 1B | 166 BPM | |
 | Overture - From "Mary Poppins" | Royal Philharmonic Orchestra | F Major | 2 | 7B | 107 BPM | |
 | Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | F Minor | 0 | 4A | 92 BPM | |
 | Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | |
 | Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | |
 | Petrushka: Danse Russe | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | |
 | St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | |
 | Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | |
 | Danzon No. 2 - Live From Walt Disney Concert Hall, Los Angeles / 2010 | Arturo Márquez, Los Angeles Philharmonic, Gustavo Dudamel | D Minor | 3 | 7A | 97 BPM | |
 | Pines of Rome: Pines Near a Catacomb - Redbook Stereo | Ottorino Respighi, Fritz Reiner, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 65 BPM | |
 | Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | |
 | Die Walküre, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | D♭ Major | 1 | 3B | 72 BPM | |
 | Conga del Fuego - Live | Arturo Márquez, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel | A Minor | 3 | 8A | 128 BPM | |
 | Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | |
| Pictures at an Exhibition (Orch. Ravel): X. The Great Gates of Kyiv | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 2 | 5B | 58 BPM | |
 | Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | |
 | Grand Canyon Suite: 2. The Painted Desert | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | B Minor | 0 | 10A | 129 BPM | |
 | Knives Out! (String Quartet in G Minor) | Nathan Johnson | G Major | 3 | 9B | 115 BPM | |
 | Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | |
 | Festive Overture Op.96 | Dmitri Shostakovich, Philharmonia Orchestra, Vladimir Ashkenazy | A Major | 4 | 11B | 80 BPM | |
 | Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | |
 | Overture Russlan and Ludmilla | Mikhail Glinka, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 2 | 10B | 84 BPM | |
 | The Miraculous Mandarin, Sz. 73: The Girl Sinks Down to Embrace Him. Allegro | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Major | 5 | 3B | 125 BPM | |
![An American Symphony (Mr. Holland's Opus) [Mr Holland's Opus] by Michael Kamen, Dominic Miller, Pino Palladino, Jim Keltner, London Metropolitan Orchestra](https://i.scdn.co/image/ab67616d00001e02bd4cc1847952ead529b2a0ef) | An American Symphony (Mr. Holland's Opus) [Mr Holland's Opus] | Michael Kamen, Dominic Miller, Pino Palladino, Jim Keltner, London Metropolitan Orchestra | C Major | 3 | 8B | 121 BPM | |
 | The Blue Danube | Johann Strauss II, Eugene Ormandy | D Major | 1 | 10B | 176 BPM |
- ISRC
- USWD10322061
- Label
- L-M Records/RCA Records