Johann Sebastian Bach, András Schiff, Ulrich Schnauss's 'Bach: Prelude And Fugue In C - Ulrich Schnauss Rework' had a release date set for July 15, 2016. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "re:works". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The popularity of Bach: Prelude And Fugue In C - Ulrich Schnauss Rework is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bach: Prelude And Fugue In C - Ulrich Schnauss Rework by Johann Sebastian Bach, András Schiff, Ulrich Schnauss having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Cars Go | Maxence Cyrin | A♭ Major | 2 | 4B | 122 BPM | ||
| Luminous Beings | Jon Hopkins | A♭ Major | 5 | 4B | 120 BPM | ||
| Landing on 51 | Tangerine Dream | F Major | 4 | 7B | 129 BPM | ||
| Prelude For Time Feelers | Eluvium | D Major | 3 | 10B | 115 BPM | ||
| Goldberg Variations, BWV 988: Var. 13 a 2 Clav. | Johann Sebastian Bach, Igor Levit | G Major | 1 | 9B | 62 BPM | ||
| 坏孩子的天空 | 花伦(Hualun) | D Major | 7 | 10B | 157 BPM | ||
| Blackpool Late Eighties | James Holden | G Major | 4 | 9B | 113 BPM | ||
| Johannesburg | Rival Consoles | F♯ Major | 7 | 2B | 127 BPM | ||
| Specific Gravity Of Smile | Edgar Froese | F♯ Major | 6 | 2B | 179 BPM | ||
| LIFE ON MARS? | Trent Reznor and Atticus Ross | B♭ Major | 2 | 6B | 78 BPM | ||
| Just One Kiss | Biosphere | F♯ Major | 2 | 2B | 121 BPM | ||
| Satie: Gymnopédie No. 2 - Anders Bruk Rework | Anders Bruk | F Major | 2 | 7B | 130 BPM | ||
| Epoch | Tycho | F♯ Major | 7 | 2B | 120 BPM | ||
| Wheel | Visible Cloaks | F♯ Major | 2 | 2B | 81 BPM | ||
| Genshi | Susumu Yokota | F Major | 6 | 7B | 120 BPM | ||
| More | Nils Frahm | E♭ Minor | 7 | 2A | 176 BPM | ||
| Three Worlds: Music from Woolf Works / Orlando: Modular Astronomy | Max Richter, Deutsches Filmorchester Babelsberg, Robert Ziegler | G Major | 6 | 9B | 140 BPM | ||
| Club der Ewigkeiten | DJ Koze | E Minor | 5 | 9A | 117 BPM | ||
| Candy Shoppe | Emeralds | A Major | 8 | 11B | 147 BPM | ||
| "we circle through the night, consumed by fire" - Recorded at Spotify Studios NYC | Max Richter | A Minor | 2 | 8A | 80 BPM | ||
| Gene Takes a Drink | Michael Gordon, Bang On A Can All-Stars | C Minor | 5 | 5A | 98 BPM | ||
| Linepulse | Sasha | F Major | 1 | 7B | 100 BPM | ||
| Scherza infida | George Frideric Handel, Musica Sequenza, Burak Ozdemir | G Major | 1 | 9B | 127 BPM | ||
| Babel | Rone | C Major | 4 | 8B | 120 BPM | ||
| Cloudface | Delia Derbyshire Appreciation Society | G Major | 1 | 9B | 117 BPM |