"We Should Not Have Connected" by Ludvig Forssell had its release date on June 27, 2025. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The song is number 8 out of 56 in Death Stranding 2: On The Beach (Original Video Game Score) by Ludvig Forssell. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of We Should Not Have Connected is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of We Should Not Have Connected by Ludvig Forssell is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Infernal Amalgamations | Ludvig Forssell | E♭ Minor | 9 | 2A | 170 BPM | ||
| A Beautiful Song | 帆足圭吾 | D Minor | 6 | 7A | 73 BPM | ||
| Winter Extravaganza | Jonatan Järpehag | D Major | 5 | 10B | 66 BPM | ||
| The Edge of Crisis | Path to Nowhere | C Major | 4 | 8B | 90 BPM | ||
| I'm Not Leaving You Here | Brandon Roberts | C Major | 5 | 8B | 80 BPM | ||
| Scavengers | Patrik Andrén, Johan Söderqvist, Embark Studios | F♯ Major | 3 | 2B | 110 BPM | ||
| Nightreign | Shoi Miyazawa | A Minor | 6 | 8A | 165 BPM | ||
| Simon, The Divergent Star | Lorien Testard | C Minor | 2 | 5A | 74 BPM | ||
| Fallen Guardian | Gareth Coker | D Major | 8 | 10B | 112 BPM | ||
| Slaughtering a Nightingale | Petri Alanko, Alan Wake | E Minor | 4 | 9A | 106 BPM | ||
| 怒り | SIE Sound Team | C Major | 4 | 8B | 124 BPM | ||
| Face Puncher | Finishing Move Inc., Borderlands Music | D♭ Major | 10 | 3B | 172 BPM | ||
| Demogorgon | Youngjee Lee, SHIFT UP | B Minor | 7 | 10A | 171 BPM | ||
| The Twelve Towers | Henry Jackman | D♭ Major | 7 | 3B | 103 BPM | ||
| Barons and Queens | Patrik Andrén, Johan Söderqvist, Embark Studios | F♯ Major | 3 | 2B | 110 BPM | ||
| Credits | Gareth Coker | B♭ Minor | 6 | 3A | 98 BPM | ||
| Crab Battle | Ludvig Forssell | E♭ Minor | 9 | 2A | 170 BPM | ||
| Please Don't Leave Me | Trevor Morris, Trey Toy | A Minor | 2 | 8A | 84 BPM | ||
| Malenia, Butterfly of Aeonia | Theophany, Laura Intravia, Shea's Violin | C Minor | 3 | 5A | 105 BPM | ||
| Falling Leaves | Atticus Ross, Leopold Ross, Nick Chuba | G Major | 1 | 9B | 78 BPM | ||
| A Better Beginning | John Paesano | C Major | 2 | 8B | 128 BPM | ||
| Komoda Beach | Ilan Eshkeri | A♭ Major | 2 | 4B | 84 BPM | ||
| Stuck in Maelle's Head | Lorien Testard | G Minor | 2 | 6A | 146 BPM | ||
| A City Where None Live | Austin Wintory | D♭ Minor | 2 | 12A | 99 BPM | ||
| Hyperion | Bobby Krlic, Joe Thwaites | G Major | 10 | 9B | 122 BPM |