Rita Reys's 'So Danco Samba' had a release date set for July 13, 1981. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Sings Antonio Carlos Jobim". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, So Danco Samba is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With So Danco Samba by Rita Reys having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ashes on the Floor | ZChill Jazz | B♭ Minor | 1 | 3A | 172 BPM | ||
| She smiles beneath a silver light | Intimate Vibes | G Minor | 2 | 6A | 126 BPM | ||
| For Me | Sandra Dawn | D♭ Minor | 3 | 12A | 127 BPM | ||
| Empty Roads, Warm Cup | Diner Express | C Major | 2 | 8B | 80 BPM | ||
| Patina Nocturne | marss ala | G Minor | 1 | 6A | 79 BPM | ||
| Any Night | The Lodger | D♭ Minor | 3 | 12A | 104 BPM | ||
| Tailpiece Marseille | Rosalie Jazz | G Minor | 4 | 6A | 133 BPM | ||
| Theatre Lobby | The Pastel Hour | E♭ Major | 3 | 5B | 76 BPM | ||
| The Face Of The Moon | NAXY CHILL | B♭ Minor | 2 | 3A | 69 BPM | ||
| My Funny Valentine | Rita Reys, Wessel Ilcken Combo | B♭ Major | 1 | 6B | 82 BPM | ||
| The Boy From Ipanema | Rita Reys, Pim Jacobs Trio | C Major | 3 | 8B | 97 BPM | ||
| You Go To My Head | Susannah McCorkle | A♭ Minor | 0 | 1A | 111 BPM | ||
| A Jazz to Feel | Smoke & Sonata | D♭ Minor | 3 | 12A | 104 BPM | ||
| Honeysuckle Rose | Rita Reys | A Minor | 2 | 8A | 76 BPM | ||
| Foyer in Russet | Crying Mirror | E♭ Major | 3 | 5B | 75 BPM | ||
| Varnish Overture | marss ala | G Minor | 3 | 6A | 106 BPM | ||
| One Less Bell to Answer | Rita Reys | E♭ Major | 2 | 5B | 102 BPM | ||
| Copper Piazza | Crying Mirror | G Minor | 2 | 6A | 76 BPM | ||
| Lacquer Coat | Still Geometry Jazz | G Minor | 2 | 6A | 70 BPM | ||
| Lattice Rue Dauphine | walkin around jazz | E♭ Major | 2 | 5B | 77 BPM | ||
| Gramophone Coda | Crying Mirror | G Major | 3 | 9B | 79 BPM | ||
| Lamppost Base | Impression Blue | C Minor | 3 | 5A | 118 BPM | ||
| Prelude to a Kiss | Ewan Bleach Quartet | F Major | 1 | 7B | 71 BPM | ||
| Give Love One More Chance | Soesja Citroen | F Major | 1 | 7B | 57 BPM | ||
| Tiempo lento | Kaelux | D♭ Minor | 3 | 12A | 104 BPM |