Dean Mora's Modern Swingtet with Rusty Frank's ' "32 Bar Riff Instrumental - 128 BPM" was released on its scheduled release date, January 1, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Dean Mora's Modern Swingtet with Rusty Frank's "Leonard Reed's Original "32 Bar Riff" Shim Sham Shimmy Music" album is number 8 out of 8. On top of that, United States appears to be the country where this track was created. Based on our statistics, 32 Bar Riff Instrumental - 128 BPM's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of 32 Bar Riff Instrumental - 128 BPM by Dean Mora's Modern Swingtet with Rusty Frank to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chicka Boo | Andreas Sobczyk Quartett | F Minor | 5 | 4A | 88 BPM | ||
| Swingin' on Nothin' | Andrej Hermlin and his Swing Dance Orchestra | F Major | 3 | 7B | 127 BPM | ||
| Jumptown | Steve Lucky & The Rhumba Bums | D Major | 6 | 10B | 105 BPM | ||
| I Ain't Gonna Give Nobody None of My Jelly Roll | Gentlemen & Gangsters | G Minor | 5 | 6A | 161 BPM | ||
| I Can't Stop Now | Blue Harlem | A Minor | 4 | 8A | 113 BPM | ||
| I've Found a New Baby | The Swing Ninjas | C Major | 8 | 8B | 113 BPM | ||
| Miss Fisher's Closing Theme | Greg J Walker | C Minor | 5 | 5A | 100 BPM | ||
| French Quarter Strut | The Smith Tucker Conspiracy | C Major | 4 | 8B | 93 BPM | ||
| Five Foot Two, Eyes of Blue | The Swing Ninjas | G Major | 6 | 9B | 116 BPM | ||
| New Orleans Shout | Bourbon Street Jazzband | B♭ Major | 3 | 6B | 96 BPM | ||
| Sing You Sinners | The Irwell Street String Band, Hetty Kate, Sam Lemann | C Major | 3 | 8B | 98 BPM | ||
| Late Night Swing | Casey MacGill & the Spirits of Rhythm | D Minor | 5 | 7A | 131 BPM | ||
| Rose Room | Hot Swing Sextet | A♭ Major | 4 | 4B | 106 BPM | ||
| (Lookie Lookie Lookie) Here Comes Cookie | Midnight Serenaders | E Minor | 5 | 9A | 109 BPM | ||
| Anytime Is Saturday Night | Meschiya Lake and The Little Big Horns | C Major | 6 | 8B | 149 BPM | ||
| A Quarantine Love Song | Adrian Cunningham Professor Cunningham And His Old School | F Minor | 4 | 4A | 124 BPM | ||
| You Shook Me All Night Long | Professor Cunningham And His Old School | F Minor | 5 | 4A | 139 BPM | ||
| I Like Pie | Oriental Jazz Band | C Major | 3 | 8B | 76 BPM | ||
| Big Band Jubilee | lost postcards | C Major | 4 | 8B | 102 BPM | ||
| Jumping at the Woodside - Special Training | Hot Sugar Band | C Minor | 3 | 5A | 75 BPM | ||
| Low Down | Greg Ruby, The Rhythm Runners | G Major | 3 | 9B | 137 BPM | ||
| Blue Drag | The Blue Vipers Of Brooklyn | D♭ Major | 4 | 3B | 93 BPM | ||
| Charleston Spin | John Rowcroft | D Major | 6 | 10B | 118 BPM | ||
| The Cat Walk | Le Dancing Pepa Swing Band | B♭ Major | 2 | 6B | 118 BPM | ||
| Blues My Naughty Sweetie Gives to Me | Southside Aces | G Major | 4 | 9B | 123 BPM |