Lee Morse's 'I've Looked All Over For A Boy Like You' had a release date set for 2005. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. I've Looked All Over For A Boy Like You's duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 50 in Echoes of a Songbird by Lee Morse. In terms of popularity, I've Looked All Over For A Boy Like You is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of I've Looked All Over For A Boy Like You by Lee Morse is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Way You Look Tonight | The Merry Macs | D♭ Major | 2 | 3B | 183 BPM | ||
| Dream Train | Nat Shilkret | B♭ Minor | 2 | 3A | 142 BPM | ||
| A Little Kiss Each Morning | Century Jukebox, Public Domain, Rudy Vallee and His Connecticut Yankees | A♭ Major | 3 | 4B | 94 BPM | ||
| The Drunkard Song (There Is a Tavern in the Town) | Rudy Vallee | E♭ Major | 3 | 5B | 115 BPM | ||
| Broadway Melody | Ben Selvin Orchestra | B♭ Major | 2 | 6B | 96 BPM | ||
| Love Is Here To Stay | Bea Wain | G Minor | 0 | 6A | 134 BPM | ||
| You're the Top | Hal Kemp And His Orchestra, Skinnay Ennis | A Major | 3 | 11B | 107 BPM | ||
| Let's Misbehave | Irving Aaronson and His Commanders | G Major | 3 | 9B | 104 BPM | ||
| Music, Maestro, Please! | Tommy Dorsey & Edythe Wright | F Major | 1 | 7B | 120 BPM | ||
| You're the Cream in My Coffee | Annette Hanshaw | G Minor | 1 | 6A | 143 BPM | ||
| On a Balcony in Spain (Recorded 1931) | Sophie Tucker | A♭ Major | 4 | 4B | 124 BPM | ||
| Don't Be Like That (Recorded January 1929) | Harry Richman | B♭ Major | 2 | 6B | 136 BPM | ||
| Blondy | Jack Purvis, Smith Ballew and His Orchestra | B♭ Major | 3 | 6B | 97 BPM | ||
| Red Headed Baby | Dick Robertson & Gene Kardos Orchestra | E♭ Minor | 4 | 2A | 112 BPM | ||
| In My Merry Oldsmobile | Jean Goldkette & His Orchestra | D Major | 3 | 10B | 111 BPM | ||
| Ramona | Gene Austin | D Major | 0 | 10B | 95 BPM | ||
| Oh Boy! What a Girl - Remastered | Lee Morse | D♭ Major | 5 | 3B | 117 BPM | ||
| Can't We Be Friends? | Libby Holman | B♭ Major | 2 | 6B | 79 BPM | ||
| Me & My Shadow | Whispering Jack Smith | D Major | 2 | 10B | 76 BPM | ||
| Honey | Rudy Vallee | C Minor | 2 | 5A | 125 BPM | ||
| Roamin' Thru' the Roses | Jack Payne, His BBC Dance Orchestra | G Major | 5 | 9B | 98 BPM | ||
| Let's Have Another Cup o' Coffee | Henry Hall, The BBC Dance Orchestra | E♭ Major | 4 | 5B | 201 BPM | ||
| Everybody Loves My Baby (Recorded September, 1924) | Aileen Stanley | A♭ Minor | 1 | 1A | 126 BPM | ||
| Alexander's Ragtime Band | Ted Lewis | F Major | 5 | 7B | 101 BPM | ||
| I Want a Good Man | Annette Hanshaw | E Major | 2 | 12B | 82 BPM |