"Mother from Vienna" by Harry Rabinowitz had its release date on August 30, 2010. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Harry Rabinowitz's "More Beautiful Orchestral Moments" album is number 10 out of 13. On top of that, Netherlands appears to be the country where this track was created. Mother from Vienna is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mother from Vienna by Harry Rabinowitz to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Antonino Votto, Carlo Badioli, Franco Ricciardi, Carlo Forti, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
| First Suite of English Folk Dances: No. 3 Dick's Maggot | Ernest Tomlinson, Slovak Radio Symphony Orchestra | B♭ Major | 0 | 6B | 183 BPM | ||
| The Secret Agent: Blood on the Stairs | Philip Glass, English Chamber Orchestra, Michael Riesman, Harry Rabinowitz | D♭ Major | 1 | 3B | 120 BPM | ||
| Doctor Zhivago (Main Title) | Maurice Jarre | A Minor | 2 | 8A | 101 BPM | ||
| The Lochnagar Suite: II. Dark Lochnagar | Nigel Hess, Central Band Of The Royal Air Force | D Minor | 0 | 7A | 124 BPM | ||
| The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
| Humming Chorus From Madame Butterfly | Royale Singers | B♭ Major | 1 | 6B | 85 BPM | ||
| In The Silver Moonshine | Mingxin Du, Takako Nishizaki, Singapore Symphony Orchestra | G Major | 1 | 9B | 87 BPM | ||
| Hello Young Lovers | Marni Nixon | C Major | 1 | 8B | 80 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Paganini Rhapsody (On a Theme of Paganini: S. Rachmaninoff) [feat. Kirk Trevor & the Slovak National Symphony Orchestra] | Drew Tretick, Kirk Trevor, Slovak National Symphony Orchestra | D♭ Major | 2 | 3B | 84 BPM | ||
| The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
| The Ashokan Farewell | Ungar arr Perkins, Nil, Major John Perkins, John Perkins | F Major | 2 | 7B | 119 BPM | ||
| Hebrew Slaves Chorus from Nabucco | The London Symphony Orchestra - The London Symphony Chorus | D♭ Major | 0 | 3B | 69 BPM | ||
| Scottish Rhapsody | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | D♭ Major | 2 | 3B | 142 BPM | ||
| La bohème: Che gelida manina | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | G Major | 5 | 9B | 171 BPM | ||
| Sophie's Choice | Laclede Quartet | E Major | 1 | 12B | 81 BPM | ||
| Sventitsky's Waltz / After the shooting | Maurice Jarre | C Major | 1 | 8B | 66 BPM | ||
| The Secret Agent: Ossipon is Tempted | Philip Glass, English Chamber Orchestra, Michael Riesman, Harry Rabinowitz | D♭ Major | 1 | 3B | 120 BPM | ||
| Open Heart | Harry Rabinowitz | D♭ Major | 4 | 3B | 187 BPM | ||
| Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM | ||
| Radiant Moments | Veridia | A Major | 0 | 11B | 168 BPM | ||
| Forgotten Dreams | Leroy Anderson | D Major | 1 | 10B | 92 BPM | ||
| The Years Between | Harry Rabinowitz | B Minor | 4 | 10A | 130 BPM | ||
| Carmen, Act III: Entr'acte (arr. D. Sosin): Carmen: Entr'acte to Act III (arr. for flute and harp) | Donald Sosin, Georges Bizet, Nora Shulman, Judy Loman | E♭ Major | 1 | 5B | 76 BPM |