Hal Singer's 'WERE STILL BUDDIES (Massimo Faraò / Hal Singer)' had a release date set for 2002. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. This song is part of We're Still Buddies by Hal Singer. The song's track number on the album is #4 out of 9 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, WERE STILL BUDDIES (Massimo Faraò / Hal Singer)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since WERE STILL BUDDIES (Massimo Faraò / Hal Singer) by Hal Singer has a tempo of 147 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With WERE STILL BUDDIES (Massimo Faraò / Hal Singer) being at 147 BPM, the half-time would be 74 BPM with a double-time of 294 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Can't Make Me Doubt My Baby | Bunker Hill | C Minor | 7 | 5A | 163 BPM | ||
| Lawdy Miss Clawdy | Lloyd Price | F Minor | 6 | 4A | 93 BPM | ||
| Don't Start Crying Now | Slim Harpo | F Major | 9 | 7B | 184 BPM | ||
| Rockhouse | Big Maybelle | G Major | 7 | 9B | 160 BPM | ||
| You Talk a Little Trash | Cootie Williams | E♭ Major | 7 | 5B | 80 BPM | ||
| Come On Over To My House | Julia Lee And Her Boyfriends | E Minor | 2 | 9A | 139 BPM | ||
| I Sat And Cried | Jimmy "T99" Nelson | F Minor | 3 | 4A | 148 BPM | ||
| Takin' You Back | Faye Adams | N/A | N/A | N/A | 0 BPM | ||
| Hot Rod Special | Lee Allen | C Minor | 7 | 5A | 185 BPM | ||
| Kansas City | Jay McShann | F Major | 5 | 7B | 148 BPM | ||
| Someday You'll Be Sorry | Johnny Letman, Milt Buckner, Hal Singer | A♭ Major | 5 | 4B | 182 BPM | ||
| Bless Her Heart | Chuck Willis | F Major | 7 | 7B | 148 BPM | ||
| Sing On Baby | Jane Baker | G Major | 4 | 9B | 125 BPM | ||
| Take My Love (I Want To Give It All To You) | Little Willie John | D♭ Major | 5 | 3B | 131 BPM | ||
| Tea for Two | Johnny Letman, Milt Buckner, Hal Singer | A♭ Minor | 4 | 1A | 114 BPM | ||
| Blip Blop | Bill Doggett | B♭ Major | 7 | 6B | 127 BPM | ||
| Cupid's Boogie | Johnny Otis | G Major | 2 | 9B | 120 BPM | ||
| He Ain't Got Rhythm | Henry "Red" Allen | G Major | 4 | 9B | 107 BPM | ||
| Chicken Shack Boogie | Amos Milburn | C Major | 6 | 8B | 140 BPM | ||
| There's a Small Hotel | Johnny Letman, Milt Buckner, Hal Singer | B♭ Minor | 6 | 3A | 183 BPM | ||
| Good Golly | Johnny Otis | G Major | 4 | 9B | 107 BPM | ||
| White Port and Lemon Juice | The Bel-Aires | B♭ Major | 8 | 6B | 173 BPM | ||
| Booted | Rosco Gordon | E Minor | 4 | 9A | 111 BPM | ||
| Face It Here It Is | Al Grey | D♭ Major | 4 | 3B | 136 BPM | ||
| Sugar (1947) | Joe Liggins | F Major | 2 | 7B | 126 BPM |