"String Quartet in C Major, Op. 9 No. 1: I. Moderato" by Joseph Haydn, London Haydn Quartet had its release date on October 1, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, London Haydn Quartet's "Haydn: String Quartets, Op. 9" album is number 5 out of 24. On top of that, United Kingdom appears to be the country where this track was created. String Quartet in C Major, Op. 9 No. 1: I. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet in C Major, Op. 9 No. 1: I. Moderato by Joseph Haydn, London Haydn Quartet to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
| Devienne: Flute Concerto No. 7 in E Minor: II. Adagio | Francois Devienne, Emmanuel Pahud, Kammerorchester Basel, Giovanni Antonini | G Major | 0 | 9B | 84 BPM | ||
| Cello Concerto No. 1 in G Major: II. Romance. Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 176 BPM | ||
| Symphony No. 35 KV385 in DMajor "Haffner":Menuetto | Academy of St. Martin in the Fields, Iona Brown | A Major | 0 | 11B | 130 BPM | ||
| Scarlatti, D: Keyboard Sonata in C Major, Kk. 159 "La Caccia" | Domenico Scarlatti, Daniel Barenboim | G Major | 2 | 9B | 78 BPM | ||
| Field : Piano Concerto No.2 in A flat major H31 : II Poco adagio | John Field, Andreas Staier, David Stern & Concerto Köln, David Stern, Concerto Köln | D Minor | 2 | 7A | 117 BPM | ||
| String Quartet No. 12 in C Minor, D. 703 "Quartettsatz" | Franz Schubert, Alinde Quartett | C Major | 1 | 8B | 129 BPM | ||
| Symphony in A Major, Op. 24 No. 2, P. I:7: III. Menuetto. Allegretto | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 0 | 11B | 143 BPM | ||
| Flute Concerto in G Minor, QV 5:196: I. Allegro di molto, ma con brio | Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble | F Major | 2 | 7B | 145 BPM | ||
| Concerto grosso in B flat major, Op. 3/1, HWV 312: I. Allegro | George Frideric Handel, Kammerorchester Basel | D♭ Minor | 3 | 12A | 148 BPM | ||
| Symphony in G Minor, Op. 22 No. 3, P. I:5: III. Presto | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Minor | 1 | 6A | 143 BPM | ||
| Der Fischer und das Milchmädchen: X. Allemande | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 1 | 11B | 91 BPM | ||
| Symphony in C Minor, Bryan Cm2: IV. Allegro molto | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | C Minor | 1 | 5A | 87 BPM | ||
| String Quartet in E-Flat Major, H-U 277: I. Adagio ma non troppo | Fanny Mendelssohn, Takács Quartet | A♭ Major | 1 | 4B | 139 BPM | ||
| Grand Overture in E-Flat Major, Op. 18, No. 1, W. C26: III. Allegro | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | D Major | 2 | 10B | 131 BPM | ||
| Symphony in B-Flat Major: III. Presto | Leopold Mozart, New Zealand Chamber Orchestra, Donald Armstrong | F Major | 3 | 7B | 126 BPM | ||
| 6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: I. Allegro | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | G Major | 0 | 9B | 83 BPM | ||
| Symphony in D Major, D. 13 "Non è bello quello che è bello mà quello che piace": I. Allegro | Leopold Mozart, Orchestra da Camera del Conservatorio di Mantova, Luca Bertazzi | D Major | 1 | 10B | 120 BPM | ||
| Piccolo quartetto in C Major, BI425: I. Romance | Alessandro Rolla, Quartetto Bernardini | F Major | 2 | 7B | 137 BPM | ||
| Sonatina, Op. 100: Scherzo. Molto vivace | Antonín Dvořák, Josef Suk, Alfréd Holeček | G Major | 2 | 9B | 131 BPM | ||
| Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
| Sinfonia in A Major, WolS I. A-3: III. Presto | Johann Stamitz, Südwestdeutsches Kammerorchester Pforzheim, Timo Handschuh | F Major | 1 | 7B | 205 BPM | ||
| La cambiale di matrimonio: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 140 BPM | ||
| Sinfonia In G Major, Wq. 183/4, H. 666: I. Allegro Assai | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
| String Quartet in E-Flat Major: I. Adagio ma non troppo | Fanny Mendelssohn, Merel Quartet | E Minor | 2 | 9A | 120 BPM |