Raju Ananthaswamy's ' "Con Con Otthi Otthi" was released on its scheduled release date, July 1, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Panchami Habba". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Con Con Otthi Otthi's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Con Con Otthi Otthi by Raju Ananthaswamy having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alubandaru | Sonu Nigam,Kaviraj | A Minor | 8 | 8A | 101 BPM | ||
| Bayasi Bayasi - From "LoveLi" | Vasishta N. Simha, Chethan Keshav, J. Anoop Seelin | G Major | 3 | 9B | 134 BPM | ||
| Summ Sumne Yako | Karthik, Nanditha | D Minor | 6 | 7A | 80 BPM | ||
| Basanthi | Priyadarshini, V. Harikrishna, Yogaraj Bhat | A Major | 9 | 11B | 149 BPM | ||
| Kabbina Gane Donku | M.K. Jayasri | F Major | 4 | 7B | 79 BPM | ||
| Anuraagava Kalisalu | Vaani Harikrishna, Yogaraj Bhat, V. Harikrishna | A Minor | 7 | 8A | 73 BPM | ||
| Ninna Hinde | Karthik, Jayant Kaikini | B Major | 8 | 1B | 115 BPM | ||
| Manju Modagala | Nithin Rajaram Shasthry | C Minor | 7 | 5A | 118 BPM | ||
| Tillana Tillana | Deva, Suresh Peters | B♭ Minor | 6 | 3A | 90 BPM | ||
| Baalu Ondu | Raju Ananthaswamy | G Major | 5 | 9B | 125 BPM | ||
| Biki Biki Bikaiso | B. Jayashree, Raju Ananthaswamy, Mohan, Charulatha | A Major | 7 | 11B | 100 BPM | ||
| Baare Baare | Kailash Kher | E♭ Major | 5 | 5B | 93 BPM | ||
| Kaadhiruve | Deepu, Ramya | A♭ Major | 7 | 4B | 120 BPM | ||
| Bevarsi Nan Putnanji | Y.K. Muddukrishna | E Minor | 5 | 9A | 182 BPM | ||
| Tabala Tabala | Udit Narayan, Anuradha Sriram, V. Ravichandran | F Minor | 8 | 4A | 138 BPM | ||
| Mungaru Maleyalli - From "Andondittu Kaala" | Sid Sriram, Dhananjay Ranjan, Raghavendra V. | B♭ Minor | 7 | 3A | 120 BPM | ||
| Soundharya Samara | Sonu Nigam, Yogaraj Bhat | F Major | 4 | 7B | 74 BPM | ||
| Aralada Mallige | Indu Nagaraj | A♭ Major | 8 | 4B | 150 BPM | ||
| Kodabeku Kumkuma | Kamalamma, Raju Ananthaswamy, Traditional | E Major | 5 | 12B | 97 BPM | ||
| Bellage Baan Thellage | Raju Ananthaswamy | F Minor | 5 | 4A | 160 BPM | ||
| Bandanthe Rajakumara | Manasa Holla, Chethan Kumar, Santhosh Venky | G Major | 3 | 9B | 125 BPM | ||
| Helubaa Yenadena (From "Vaasu Naan Pakka Commercial") | B. Ajaneesh Loknath | F Minor | 9 | 4A | 84 BPM | ||
| Jeeva Kannada (From "Veera Kannadiga") | Shankar Mahadevan | F Minor | 9 | 4A | 140 BPM | ||
| Maleyalli - [Female] | Vaani Harikrishna, Jayant Kaikini | G Major | 3 | 9B | 125 BPM | ||
| Mabbu Kavidarenu | Raju Ananthaswamy, Sunitha Ananthaswamy | B♭ Major | 4 | 6B | 159 BPM |