On April 25, 2001, the song "Majaa Milala Ke Tabe Aawela" was released by Gopal Rai, Tripti Shakya. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Chitthiya Mein Khatra Ba by Gopal Rai, Tripti Shakya. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Majaa Milala Ke Tabe Aawela's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Majaa Milala Ke Tabe Aawela by Gopal Rai, Tripti Shakya is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aanchar Bheej Gail - Purvi Classical Folk | Kalpana Patowary | E♭ Major | 7 | 5B | 100 BPM | ||
| Admapurala Balumama Nandatoy | Vijay Sartape | F Minor | 7 | 4A | 120 BPM | ||
| Savti Na Apnaayib | Vishnu Ojha | F Minor | 5 | 4A | 138 BPM | ||
| Tame Kadiya Badiya Chhadiya | Hariprabodham | E♭ Minor | 6 | 2A | 77 BPM | ||
| Eadha Rani Ka Naam | Baba Rasika Pagal | E♭ Major | 7 | 5B | 175 BPM | ||
| Baba Ramdevji Aarati | Prakash Mali | A♭ Major | 8 | 4B | 91 BPM | ||
| Mein Tera Hum Safar Bankar | Dilshad Zakhmi | E♭ Minor | 8 | 2A | 150 BPM | ||
| Haike Janicha Ki | Anasuya Nath | A♭ Minor | 8 | 1A | 139 BPM | ||
| Jab Se Gawanwa Ke Dinva Dharail | Bharat Sharma Vyas | G Major | 7 | 9B | 80 BPM | ||
| Noor-e-Khuda Baghdad Mein | Jani Babu | E Minor | 8 | 9A | 107 BPM | ||
| Jagrate Ki Raat | Manish Tiwari | A♭ Major | 6 | 4B | 144 BPM | ||
| Ab Naa Charaayi Goru | Gopal Rai | G Major | 5 | 9B | 122 BPM | ||
| Agar Dil Kisi Ka | Parmod Kumar | F♯ Major | 7 | 2B | 84 BPM | ||
| Rang Do Keshar Ghodi Ri Jhul | Anita Jangid, Mahaveer Sankhala | G Minor | 9 | 6A | 76 BPM | ||
| Sai Baban Phone Kela | Omkar Mahadik | D♭ Major | 9 | 3B | 90 BPM | ||
| Sanwariya Kahiyo Aitu | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| Sath Sukh Duniya Ra | Navdeep Bikaneri | D♭ Minor | 6 | 12A | 125 BPM | ||
| Do Deewane Pyar Ke | Dinesh Nagar | D♭ Minor | 6 | 12A | 82 BPM | ||
| Teeno Lokan Se Nyari | Rajendra Vyas | D♭ Minor | 9 | 12A | 172 BPM | ||
| Raatbhar Karaych | Milind Shinde | B Major | 6 | 1B | 94 BPM | ||
| Pritam Aha Bina Nhi Chain Yai | Dilip Dharbhangiya | A♭ Minor | 7 | 1A | 142 BPM | ||
| Nako Hey Kaanchan | Anand Shinde | E Major | 4 | 12B | 174 BPM | ||
| Sanwariya Re | Prem Shankar Jaat, Trisha Suthar | D♭ Minor | 6 | 12A | 153 BPM | ||
| Hay Balangi Ena Balangapana | Bilal Tadavi, Urmila Mahajan, Aarti Kale | D♭ Major | 7 | 3B | 78 BPM | ||
| Kahaanwa Udh Udh Jali Chiraiya | Gopal Rai | E♭ Minor | 5 | 2A | 147 BPM |