On March 19, 2017, the song "Punch Line" was released by Daniel Marantz, Christopher Lewis. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Punch Line's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wired - Electric Indie by Daniel Marantz. The song's track number on the album is #16 out of 16 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Punch Line's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Punch Line by Daniel Marantz, Christopher Lewis has a tempo of 155 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Punch Line being at 155 BPM, the half-time would be 78 BPM with a double-time of 310 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Reef | Daniel Marantz, Thomas Jack Foley | G Major | 7 | 9B | 120 BPM | ||
| Run Into The Streets | Daniel Christopher O'Donnell-Smith, Jonathan Philip Dix, Daniel Marantz | C Minor | 6 | 5A | 110 BPM | ||
| To Break Through | Roscoe Williamson, Tom Griffiths, Adam Zapel | E♭ Minor | 7 | 2A | 100 BPM | ||
| Back to You | Univerxity | D Major | 7 | 10B | 130 BPM | ||
| Get Ready For the Rumours | ELKAE | A♭ Minor | 4 | 1A | 128 BPM | ||
| So Deep | Peter Peters | A Minor | 5 | 8A | 90 BPM | ||
| Burning Brighter | Lee Richardson, Jonathan Murrill, Tom Ford, James Cocozza | D♭ Minor | 6 | 12A | 68 BPM | ||
| Solitary Drifter | April Moon, Michael Jaffe | E Minor | 6 | 9A | 90 BPM | ||
| We Are Bound | Zachary Nelson | C Minor | 5 | 5A | 90 BPM | ||
| When the Walls Come Down | Nine One One | G Major | 4 | 9B | 150 BPM | ||
| Swerve Lightly | Richard Mead, Angela Penhaligon | G Major | 5 | 9B | 125 BPM | ||
| Venus (Got My Girls) | Nahra | A Minor | 6 | 8A | 114 BPM | ||
| When I'm Without You | BMG Production Music UK | A♭ Major | 1 | 4B | 168 BPM | ||
| Worth the Wait | Christopher Lewis, Daniel Marantz | A Minor | 4 | 8A | 140 BPM | ||
| Miracles | of Verona | B♭ Major | 6 | 6B | 154 BPM | ||
| We Are the Night | James Warburton, Diana Haunts | F Minor | 6 | 4A | 74 BPM | ||
| It Takes Time | Imie Taala | C Major | 6 | 8B | 113 BPM | ||
| We Came Along | Camille Beluze, Sylvain Lux | D♭ Major | 7 | 3B | 106 BPM | ||
| Hung Up | Cut One, Clark Nikolas | G Major | 7 | 9B | 136 BPM | ||
| Lost In The Woods (Forevermore) | Zorro, Molife | B Minor | 6 | 10A | 114 BPM | ||
| Only Human | Robin Loxley, Wolfgang Black | C Major | 7 | 8B | 76 BPM | ||
| Here Again | SOFÍA | G Major | 4 | 9B | 83 BPM | ||
| Water | golda may | F Major | 4 | 7B | 92 BPM | ||
| Paper Heart | Nik Ammar, Lucy Underhill | D Minor | 5 | 7A | 128 BPM | ||
| Ready to Not Be Ready | Kamal Kamruddin, Peter Darling | C Minor | 7 | 5A | 105 BPM |