"The Grudge - Original Mix" by Unknown, Re-Con had its release date on October 8, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 2 in the song's album "The Grudge". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Grudge - Original Mix's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Grudge - Original Mix by Unknown, Re-Con having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Bicicletta | Luis Bacalov | A Major | 2 | 11B | 106 BPM | ||
| Long, Long Time Ago | Javier Navarrete | A Minor | 1 | 8A | 80 BPM | ||
| Cry Of The Celts | Ronan Hardiman | D Major | 7 | 10B | 125 BPM | ||
| Jazz Suite No. 1: III. Foxtrot (Blues) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F♯ Minor | 0 | 11A | 108 BPM | ||
| El Puente Sobre El Rio Kwai - BSO | Malcolm Arnold, Inma Shara | B♭ Major | 4 | 6B | 114 BPM | ||
| 想你每分鐘 | Aaron Kwok, Unknown | B Major | 5 | 1B | 158 BPM | ||
| Tales of Hoffmann - Barcarolle | Arthur Fiedler, Jacques Offenbach, Boston Pops Orchestra | G Major | 3 | 9B | 119 BPM | ||
| Orinoco Flow | Enya | C Major | 3 | 8B | 115 BPM | ||
| Puccini: Madama Butterfly, Act 2: "Un bel di vedremo" (Butterfly) | Giacomo Puccini, Maria Callas, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 2 | 3B | 77 BPM | ||
| 獨自暢飲 | George Lam, Unknown | G Minor | 4 | 6A | 126 BPM | ||
| Dimanche aux matines : Hymne Aeterne rerum conditor | Unknown, Choeur des moines de la grande chartreuse | A♭ Major | 2 | 4B | 72 BPM | ||
| Oboe de Gabriel | Grupo Unicordiale, Johann Pachelbel | E Minor | 0 | 9A | 91 BPM | ||
| El Lago De Los Cisnes - Op. 20, Acto II: 10. Scene (Moderato) | Pyotr Ilyich Tchaikovsky, Inma Shara | B Minor | 1 | 10A | 73 BPM | ||
| Le Carnaval des Animaux, R. 125: VII. Aquarium | Camille Saint-Saëns, Ensemble Musique Oblique | A Minor | 0 | 8A | 127 BPM | ||
| Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
| Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 179 BPM | ||
| La mer | Charles Trenet | C Major | 2 | 8B | 85 BPM | ||
| Passage nuageux | André Gagnon, Unknown | A Minor | 2 | 8A | 166 BPM | ||
| Goin' Home | Unknown, musica intima | E♭ Major | 1 | 5B | 76 BPM | ||
| Outlander - The Skye Boat Song (Choral Version) (feat. Raya Yarbrough) | Bear McCreary, Raya Yarbrough | D Major | 1 | 10B | 81 BPM | ||
| La valse d'Amélie - Version orchestre | Yann Tiersen | A Minor | 3 | 8A | 64 BPM | ||
| 最盼望是愛 | Sally Yeh, Unknown | F Minor | 4 | 4A | 184 BPM | ||
| The English Patient | Academy of St. Martin in the Fields, Gabriel Yared | B Minor | 0 | 10A | 63 BPM | ||
| Recomposed by Max Richter: Vivaldi, the Four Seasons: Spring 1 | Max Richter, Daniel Hope, Christian Badzura, Jane Berthe, Zürcher Kammerorchester | D♭ Minor | 2 | 12A | 102 BPM | ||
| The Sleeping Beauty, Op. 66 : Valse | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | B♭ Major | 2 | 6B | 100 BPM |