"Max and Liesel" by John Williams had its release date on November 11, 2013. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "The Book Thief (Original Motion Picture Soundtrack)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Max and Liesel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Max and Liesel by John Williams having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maggie's Plea | Clint Eastwood | D♭ Major | 1 | 3B | 61 BPM | ||
| Ceremony of the Sunstones | Trevor Jones | D Major | 2 | 10B | 108 BPM | ||
| The Villa | Joseph Vitarelli | A♭ Major | 1 | 4B | 71 BPM | ||
| I'm Here | Fernando Velázquez | C Major | 2 | 8B | 84 BPM | ||
| Standing Up Main Theme | Brian Tyler | C Minor | 4 | 5A | 157 BPM | ||
| Clerks | Dario Marianelli | G Minor | 4 | 6A | 75 BPM | ||
| A Last Reading | Adrian Johnston | F Major | 0 | 7B | 77 BPM | ||
| Sophie's Future | John Williams | E Major | 0 | 12B | 77 BPM | ||
| A Sepulchre | George Fenton | A Major | 0 | 11B | 74 BPM | ||
| There's Something You Need To See | Geoff Zanelli | E Major | 1 | 12B | 91 BPM | ||
| The Fallen | The Chamber Orchestra Of London | B♭ Minor | 2 | 3A | 142 BPM | ||
| Handwriting | Nico Muhly | E Minor | 0 | 9A | 86 BPM | ||
| Remembering Marilyn | Lang Lang, Conrad Pope | F Major | 0 | 7B | 73 BPM | ||
| Padmé | Kevin Kiner | E Major | 3 | 12B | 71 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| Damaged | The Chamber Orchestra Of London | E Minor | 1 | 9A | 79 BPM | ||
| Freedom's Call | John Williams, Chicago Symphony Orchestra | C Major | 1 | 8B | 69 BPM | ||
| Presidential Proclamation | W.G. Snuffy Walden | G Major | 1 | 9B | 84 BPM | ||
| Anne Loves Gil Wickedly | Peter Breiner | A Minor | 2 | 8A | 57 BPM | ||
| The Rule of the Parábolani | B.S.O. Varios | F♯ Minor | 2 | 11A | 65 BPM | ||
| Brideshead Revisited: No. 13, Carnival | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | A♭ Major | 1 | 4B | 85 BPM | ||
| Pulling the Cannon | John Williams | B♭ Major | 3 | 6B | 100 BPM | ||
| Planet Earth Prelude | George Fenton | B♭ Minor | 2 | 3A | 71 BPM | ||
| The Loss of Yours | Adrian Johnston | D Minor | 1 | 7A | 86 BPM | ||
| Where Does That Leave Me? | Rupert Gregson-Williams | D Minor | 1 | 7A | 136 BPM |