Doubledrive's 'Track Number 7' had a release date set for April 27, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 11 in Blue In The Face by Doubledrive. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Track Number 7's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Track Number 7 by Doubledrive is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nothing Left to Lose | Deepfield | E Major | 9 | 12B | 77 BPM | ||
| I Will Breathe Fire | Strata | F♯ Major | 10 | 2B | 77 BPM | ||
| Sorry | From Zero | F Minor | 10 | 4A | 123 BPM | ||
| Looking Down | Audiovent | B♭ Major | 9 | 6B | 91 BPM | ||
| Reason | Doubledrive | E Major | 9 | 12B | 110 BPM | ||
| Old Man | Stereomud | G Major | 10 | 9B | 178 BPM | ||
| All That's Left Behind | Sinch | G Major | 9 | 9B | 95 BPM | ||
| Places For Breathing | Revis | A Minor | 8 | 8A | 140 BPM | ||
| Redemption | 3rd Strike | D Major | 9 | 10B | 97 BPM | ||
| Stop and Say You Love Me | Evans Blue | A Major | 9 | 11B | 180 BPM | ||
| Ashes | Socialburn | C Major | 8 | 8B | 179 BPM | ||
| Sun Rises Down | Acroma | A♭ Major | 8 | 4B | 183 BPM | ||
| Where | Ultraspank | C Minor | 8 | 5A | 99 BPM | ||
| Wonder | Submersed | F Minor | 9 | 4A | 136 BPM | ||
| Suckerpunch | The Mayfield Four | A Major | 10 | 11B | 147 BPM | ||
| Whitfield | Atomship | B♭ Major | 9 | 6B | 136 BPM | ||
| Cardboard Believer | Full Devil Jacket | D♭ Major | 9 | 3B | 126 BPM | ||
| Dead Horse (the Love Between Us) | Deepfield | B Minor | 9 | 10A | 150 BPM | ||
| Wide Awake | 32 Leaves | A Major | 9 | 11B | 96 BPM | ||
| Awake | Onesidezero | D Major | 9 | 10B | 87 BPM | ||
| Secrets and Lies | Institute | E♭ Minor | 7 | 2A | 119 BPM | ||
| Anger Cage | Course Of Nature | E♭ Minor | 8 | 2A | 165 BPM | ||
| Tattooed Bruise | Doubledrive | G Major | 10 | 9B | 108 BPM | ||
| Come On Over | Institute | E♭ Minor | 7 | 2A | 119 BPM | ||
| No Name | Motograter | A Major | 9 | 11B | 105 BPM |