Crooks UK's 'What Might Have Been' had a release date set for October 30, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 10 in Are We All the Same Distance Apart by Crooks UK. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, What Might Have Been's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of What Might Have Been by Crooks UK is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stay | Perspectives | A Major | 9 | 11B | 82 BPM | ||
| Again | Avoid. | G Major | 9 | 9B | 120 BPM | ||
| Trace the Lines | A Lot Like Birds | B Minor | 6 | 10A | 117 BPM | ||
| Gum | Moose Blood | D Major | 7 | 10B | 125 BPM | ||
| Heidi Ho | Hindsight, Love Alone | E Major | 10 | 12B | 87 BPM | ||
| The Hardest Part Is Forgetting Those You Swore You Would Never Forget | Being As An Ocean | A♭ Major | 9 | 4B | 133 BPM | ||
| Knuckles | Moose Blood | F♯ Minor | 8 | 11A | 138 BPM | ||
| The Guise of a Mother | Trash Boat | A♭ Major | 8 | 4B | 160 BPM | ||
| Flipfrown | Ambleside | F Minor | 9 | 4A | 140 BPM | ||
| Love Let Me Go | More Than Life | A♭ Minor | 10 | 1A | 153 BPM | ||
| Back Bay | Vacant Home | G Major | 9 | 9B | 75 BPM | ||
| The Only Constant | Grandview | D Major | 7 | 10B | 134 BPM | ||
| But This Feels Worse | Shields | C Major | 7 | 8B | 110 BPM | ||
| Perspective | Seasons in Wreckage | F Minor | 9 | 4A | 136 BPM | ||
| I'll Get By | Pianos Become The Teeth | G Major | 8 | 9B | 119 BPM | ||
| me and mine | Sullii | E Major | 3 | 12B | 68 BPM | ||
| Small Steps | Departures | F Major | 9 | 7B | 102 BPM | ||
| Those Miles Meant Everything | Departures | F Major | 9 | 7B | 102 BPM | ||
| XX (Sew My Eyes) | Capsize | D♭ Major | 10 | 3B | 160 BPM | ||
| We Only Exist When We Exist Together | To Kill Achilles | F Minor | 2 | 4A | 169 BPM | ||
| Repine | Pianos Become The Teeth | D♭ Major | 8 | 3B | 115 BPM | ||
| Mess | September Stories | D Minor | 7 | 7A | 107 BPM | ||
| Dark Matter | Household | E Minor | 8 | 9A | 93 BPM | ||
| Wholesome | Body Thief | D♭ Minor | 9 | 12A | 156 BPM | ||
| Invisible Fences | Capstan | E♭ Minor | 10 | 2A | 200 BPM |