"Claire's Rescue - Score" by Harry Gregson-Williams had its release date on January 1, 2006. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 12 in Déjà Vu (Score) by Harry Gregson-Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Claire's Rescue - Score is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Claire's Rescue - Score by Harry Gregson-Williams is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My People Were Horsemen | Clinton Shorter | A♭ Major | 1 | 4B | 115 BPM | ||
| Run Free | Hans Zimmer | G Major | 6 | 9B | 135 BPM | ||
| Treasure | Geoff Zanelli | D Minor | 8 | 7A | 129 BPM | ||
| Bumblebee | Steve Jablonsky | D Minor | 2 | 7A | 152 BPM | ||
| Climbing up "Iknimaya - The Path to Heaven" | James Horner | A Major | 3 | 11B | 90 BPM | ||
| Family | Guy Farley | A Minor | 2 | 8A | 120 BPM | ||
| The Knockdown | Roque Baños | A Major | 4 | 11B | 98 BPM | ||
| Ender's War | Steve Jablonsky | A♭ Major | 2 | 4B | 170 BPM | ||
| Cloud Atlas Finale | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 2 | 8B | 97 BPM | ||
| The Wardrobe | Harry Gregson-Williams | D♭ Minor | 0 | 12A | 81 BPM | ||
| Sea Of Sand | Harald Kloser, Thomas Wander | D♭ Major | 4 | 3B | 82 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| On the Run | Joseph Trapanese | G Minor | 1 | 6A | 74 BPM | ||
| Autobots | Steve Jablonsky | G Minor | 5 | 6A | 80 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| This Is Berk | John Powell | E♭ Major | 5 | 5B | 123 BPM | ||
| Erase the Past | Joseph Trapanese, The Budapest Art Orchestra | A♭ Major | 1 | 4B | 72 BPM | ||
| Someone Loves Us | Dario Marianelli | E Major | 0 | 12B | 84 BPM | ||
| Swordplay | Harry Gregson-Williams | G Major | 2 | 9B | 114 BPM | ||
| Brancaster | John Lunn, The Chamber Orchestra Of London | G Major | 2 | 9B | 136 BPM | ||
| A New World | Harry Gregson-Williams | E♭ Major | 1 | 5B | 125 BPM | ||
| Utopia | George Fenton | C Major | 0 | 8B | 86 BPM | ||
| To Run Or Not To Run | Carter Burwell | G Major | 0 | 9B | 137 BPM |