Giuseppe Concone, Xavier Palacios's ' "50 Lessons, No. 7 in F Major, Op. 9 (Melody Added)" was released on its scheduled release date, September 29, 2014. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 25 in Concone 50 Lessons, Op. 9, Pt. I (1-25) Accompaniments With Melody Added. for Medium Voice by Giuseppe Concone, Xavier Palacios. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of 50 Lessons, No. 7 in F Major, Op. 9 (Melody Added) is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of 50 Lessons, No. 7 in F Major, Op. 9 (Melody Added) by Giuseppe Concone, Xavier Palacios is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| カヴァレリア・ルスティカーナ (Adage1) | Miwa Hoshi | F Major | 2 | 7B | 80 BPM | ||
| Darkness into Light - 2021 Remaster | Simon Lowy | A Major | 0 | 11B | 140 BPM | ||
| Archipelago | Cedar Serenade Trio | E Major | 1 | 12B | 95 BPM | ||
| Dumbo’s Dream | Ferrero Rochelle | A Minor | 0 | 8A | 101 BPM | ||
| 12 Lieder von Franz Schubert, S. 558: No. 7, Frühlingsglaube | Franz Liszt, Benedetta Iardella | A♭ Major | 1 | 4B | 96 BPM | ||
| Un Homme Fatale | Lisa Hugon | E Minor | 0 | 9A | 71 BPM | ||
| Theme and Variations (Adage) | Trisha Wolf | B Minor | 2 | 10A | 96 BPM | ||
| Plié (Sleeping Beauty) | Nate Fifield | B Minor | 2 | 10A | 96 BPM | ||
| The Clock Without a Key | Sebastián Van Ley | C Minor | 2 | 5A | 138 BPM | ||
| Nè Rispondi D'un Padre All'affetto? ... No, Non Udrai Rimproveri | Songs of Birdland, Mu Dimon | B♭ Major | 2 | 6B | 68 BPM | ||
| Serenade Elegia (Révérence) | Trisha Wolf | B Minor | 2 | 10A | 96 BPM | ||
| ロミオとジュリエットより (Adagio) | Miwa Hoshi | D Minor | 1 | 7A | 105 BPM | ||
| no.5 | Giuseppe Concone, miho ota, 横山起朗 | E♭ Major | 1 | 5B | 160 BPM | ||
| Fifty or Porsche | Kronberry | E Minor | 1 | 9A | 72 BPM | ||
| Marfisa Polita | Tom Adorno | D Minor | 2 | 7A | 78 BPM | ||
| What Was I Made For | Nîmes | E♭ Major | 0 | 5B | 130 BPM | ||
| Warm up 2/4 64 Counts | Marina Stolyar | B Minor | 2 | 10A | 112 BPM | ||
| Concerto, Op. 06, No. 2: IV. Allegro Ma Non Troppo (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | B Minor | 2 | 10A | 96 BPM | ||
| Sompasauna | Sofia Ingeborg | B Minor | 0 | 10A | 81 BPM | ||
| Reverence B Major (32) | Jack Lloyd O'Donnell, Wireless Lovebird | B Major | 0 | 1B | 92 BPM | ||
| 50 Lessons, No. 11 in G Major, Op. 9 (Melody Added) | Giuseppe Concone, Xavier Palacios | B♭ Major | 1 | 6B | 67 BPM | ||
| TJ 75 | Lectorium Rosicrucianum | C Major | 1 | 8B | 199 BPM | ||
| Voices During Celebration | Pino Moravia | E♭ Major | 0 | 5B | 65 BPM | ||
| Mírame | Xoel Massó | G Major | 0 | 9B | 100 BPM | ||
| Snow Drops | J.K. Hodge | A♭ Minor | 1 | 1A | 71 BPM |