"The Kiss - Voice" by Elliot Goldenthal had its release date on July 3, 2001. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 18 in Final Fantasy - Original Motion Picture Soundtrack by Elliot Goldenthal. The Kiss - Voice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Kiss - Voice by Elliot Goldenthal is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The House in the Woods | Alberto Iglesias | C Major | 2 | 8B | 73 BPM | ||
| Humility and Love | Christopher Young | F Minor | 1 | 4A | 81 BPM | ||
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | D Minor | 3 | 7A | 140 BPM | ||
| Open Title | Terence Blanchard | E♭ Minor | 2 | 2A | 181 BPM | ||
| Home, Pt. II | Armand Amar | D♭ Minor | 1 | 12A | 92 BPM | ||
| Batman Forever: Chase Noir - From "Batman Forever" | Elliot Goldenthal, Joel McNeely, Royal Scottish National Orchestra, Royal Scottish National Orchestra and Chorus | B Major | 0 | 1B | 110 BPM | ||
| Én Czak Azt Csodálom (Lullabye For Katharine) | Academy of St. Martin in the Fields, Gabriel Yared | F♯ Minor | 0 | 11A | 86 BPM | ||
| Main Title | Clint Eastwood | D♭ Major | 0 | 3B | 89 BPM | ||
| Fear of God | Lele Marchitelli | G Major | 2 | 9B | 180 BPM | ||
| Often A Bird | Wim Mertens | D Major | 1 | 10B | 154 BPM | ||
| With Wand'ring Steps [The Merchant of Venice] | Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | G Minor | 1 | 6A | 127 BPM | ||
| La Jeune Fille en Feu (Bande originale du film) | Para One, Arthur Simonini | C Major | 1 | 8B | 150 BPM | ||
| Three Women (From "Chocolat" Soundtrack)" | Rachel Portman | G Major | 0 | 9B | 85 BPM | ||
| Sicily | Jeff Russo | G Minor | 1 | 6A | 80 BPM | ||
| Le Fate Ignoranti - The Ignorant Fairies - Main Theme | Andrea Guerra | D Minor | 1 | 7A | 104 BPM | ||
| Who I Want to Be | David Arnold, Michael Price | A Minor | 2 | 8A | 163 BPM | ||
| The Gift | Elliot Goldenthal | D♭ Minor | 3 | 12A | 81 BPM | ||
| The Leftovers (Main Title Theme) | Max Richter | G Minor | 3 | 6A | 98 BPM | ||
| Vesperae Solennes de Confessore in C Major, K. 339: V. Laudate Dominum | Nicholas Britell | F Major | 1 | 7B | 84 BPM | ||
| Capri | Georges Delerue | D Major | 2 | 10B | 77 BPM | ||
| Guilty As Charged | Elliot Goldenthal | C Major | 1 | 8B | 120 BPM | ||
| Night Train to Lisbon | Annette Focks | D Minor | 1 | 7A | 60 BPM | ||
| Prayer to Isis | Trevor Jones | D Minor | 0 | 7A | 75 BPM | ||
| Wild At Heart: Dark Spanish Symphony - From "Wild At Heart" | Angelo Badalamenti | F Minor | 1 | 4A | 87 BPM | ||
| Momenti difficili | Ennio Morricone, Accademia Musicale Italiana | A Minor | 1 | 8A | 79 BPM |