Jim Staley's ' "Interdimensionalism" was released on its scheduled release date, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 10 in Blind Pursuits by Jim Staley. Interdimensionalism is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Interdimensionalism by Jim Staley is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| PENSAMIENTOS | Maria Leonor Hernandez Duran | A Minor | 0 | 8A | 117 BPM | ||
| Finalité | Mark Dresser, Fred Frith, Gerry Hemingway, Phil Minton, John Oswald, Bob Ostertag, John Zorn | D Major | 3 | 10B | 99 BPM | ||
| A Soul of a Village, Pt. I | Joe Zawinul | D♭ Major | 1 | 3B | 89 BPM | ||
| "Dont Leave" | Loren Connors | E♭ Minor | 0 | 2A | 64 BPM | ||
| Il Misterioso Monaco | Marina Frescobaldi | B♭ Major | 1 | 6B | 106 BPM | ||
| Botella laca | El buenilla | A♭ Major | 10 | 4B | 172 BPM | ||
| Untitled - Part 22 | Jim Staley, Fred Frith, John Zorn | C Minor | 2 | 5A | 83 BPM | ||
| PIDE UN DESEO | Seku | B♭ Major | 5 | 6B | 143 BPM | ||
| Die Fulci Nummer | Bohren & Der Club Of Gore | C Minor | 0 | 5A | 144 BPM | ||
| Invisible Parades, Namassivaya | Vighnesh Maharaj Peters | E Minor | 2 | 9A | 120 BPM | ||
| Lost Highway (2002/03): Scene 1.1 | Olga Neuwirth, Constance Hauman, Johannes Kalitzke, Klangforum Wien, Vincent Crowly | D Major | 1 | 10B | 80 BPM | ||
| Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM | ||
| Flutter | John Lurie | E♭ Minor | 4 | 2A | 179 BPM | ||
| Baby Food | Baby Cello | B♭ Major | 4 | 6B | 120 BPM | ||
| En la playa | JhosmelCruz | B♭ Minor | 8 | 3A | 108 BPM | ||
| Flipped Flopped | Trapper Fade | D♭ Major | 5 | 3B | 120 BPM | ||
| Poème Electronique | Edgard Varèse | A♭ Major | 0 | 4B | 70 BPM | ||
| Untitled - Part 3 | Jim Staley, Elliott Sharp, Wayne Horvitz | E♭ Major | 1 | 5B | 112 BPM | ||
| Improvised Music #1 | Bill Laswell, Sonny Sharrock, Derek Bailey, Fred Frith, John Zorn | B♭ Minor | 8 | 3A | 92 BPM | ||
| Affirmed | Jim Staley | D♭ Major | 3 | 3B | 100 BPM | ||
| Ferdinand | Jim Staley | D♭ Minor | 2 | 12A | 125 BPM | ||
| March of the Smallest Feet | Tin Hat Trio | A Minor | 9 | 8A | 123 BPM | ||
| Death, When You Come To Me | Moondog | B Minor | 8 | 10A | 115 BPM | ||
| Equipo | hwer | D♭ Major | 10 | 3B | 200 BPM | ||
| Clara | Zeno Gabaglio | F Major | 1 | 7B | 96 BPM |