On June 24, 2014, the song "So Much For Taking It Slow" was released by Bobby Wills. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 10 in Crazy Enough by Bobby Wills. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, So Much For Taking It Slow is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of So Much For Taking It Slow by Bobby Wills is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dirt | Dean Brody | E♭ Major | 7 | 5B | 131 BPM | ||
| Know Good | Drew Gregory | G Major | 8 | 9B | 100 BPM | ||
| Stompin' Grounds | Canaan Smith | F♯ Major | 8 | 2B | 180 BPM | ||
| Young as We Are Tonight | Terri Clark | B Major | 9 | 1B | 85 BPM | ||
| Show Some Respect | Bobby Wills | D Major | 5 | 10B | 80 BPM | ||
| Betty | Chris Cummings | A Major | 7 | 11B | 95 BPM | ||
| I Love This Road | Emerson Drive | A♭ Major | 8 | 4B | 110 BPM | ||
| Everything Under the Sun | Ryan Robinette | A♭ Major | 8 | 4B | 176 BPM | ||
| Brooks & Dunn | Rob Pennington | F Major | 9 | 7B | 180 BPM | ||
| A Few Good Stories | Brett Kissel | G Major | 9 | 9B | 95 BPM | ||
| Young & Crazy | Frankie Ballard | C Major | 9 | 8B | 115 BPM | ||
| Paradise Found | Shawn Austin | B♭ Major | 7 | 6B | 156 BPM | ||
| Jet Black Pontiac | Chase Bryant | D Major | 8 | 10B | 112 BPM | ||
| Blow My Speakers | Cold Creek County | G Minor | 9 | 6A | 77 BPM | ||
| Feel Like That | The Washboard Union | B♭ Major | 8 | 6B | 128 BPM | ||
| Found | Dan Davidson | B♭ Major | 8 | 6B | 110 BPM | ||
| Let Your Love Speak | Emerson Drive | F♯ Major | 9 | 2B | 95 BPM | ||
| Love Me or Leave Me | Chad Brownlee | A♭ Major | 9 | 4B | 186 BPM | ||
| Good Beers Left | Doug McCormick | D Major | 8 | 10B | 89 BPM | ||
| Needing A Beer | Montgomery Gentry | G Major | 8 | 9B | 83 BPM | ||
| Downtown Kids | David James | F♯ Major | 6 | 2B | 75 BPM | ||
| We Were That Song | Brett Kissel | A Major | 9 | 11B | 103 BPM | ||
| When A Momma's Boy Meets A Daddy's Girl | Aaron Pritchett | B♭ Major | 8 | 6B | 158 BPM | ||
| Bud-Wiser | Tyler Reeve | D♭ Major | 9 | 3B | 164 BPM | ||
| That's Why God Made Guitars | Brett Kissel | A Major | 7 | 11B | 156 BPM |