Roz Harding's ' "Yesterday I Was on Time" was released on its scheduled release date, August 21, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Supermood". In this album, this song's track order is #10. Based on our statistics, Yesterday I Was on Time's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Yesterday I Was on Time by Roz Harding having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Platypus | Mr. Bungle | C Major | 5 | 8B | 119 BPM | ||
| My Oh My | Buntspecht | A♭ Major | 5 | 4B | 88 BPM | ||
| When You Stare Into The Abyss | Patricia Brennan | C Minor | 2 | 5A | 68 BPM | ||
| Mandala | Keith Jarrett, Jan Garbarek, Palle Danielsson, Jon Christensen | E Major | 4 | 12B | 113 BPM | ||
| Mary Turner - An American Tradition | Immanuel Wilkins | C Major | 4 | 8B | 82 BPM | ||
| Fear Not | James Brandon Lewis, The Messthetics | F Minor | 6 | 4A | 119 BPM | ||
| Heart Language | Jakob Bro, Wadada Leo Smith, Marcus Gilmore | E♭ Minor | 6 | 2A | 66 BPM | ||
| Space 6 | Nala Sinephro | A♭ Major | 6 | 4B | 99 BPM | ||
| Approaching Unknown | Freddie Colonal | F Major | 0 | 7B | 71 BPM | ||
| Whispers | EABS, Jaubi | G Major | 7 | 9B | 180 BPM | ||
| Asa Branca | Hermeto Pascoal | G Minor | 3 | 6A | 127 BPM | ||
| My Skin is My Sin | Wayne Krantz | F♯ Minor | 5 | 11A | 102 BPM | ||
| Wild Bird | John Surman, Karin Krog, Terje Rypdal, Vigleik Storaas | B♭ Major | 2 | 6B | 129 BPM | ||
| Heart of Glass | The Bad Plus | A Major | 7 | 11B | 147 BPM | ||
| Oriental Melody | Faraj Suleiman, Erik Truffaz | D♭ Major | 6 | 3B | 78 BPM | ||
| Many Mansions | Sonny Sharrock | A Major | 8 | 11B | 80 BPM | ||
| Look Up | Spafford Campbell | D Major | 3 | 10B | 117 BPM | ||
| Arawak Uhuru | Sélène Saint-Aimé | B Minor | 7 | 10A | 125 BPM | ||
| J.S. Bach | Povarovo | A♭ Major | 2 | 4B | 170 BPM | ||
| Epilogue - Three Tenors | Greg Foat | A♭ Major | 0 | 4B | 137 BPM | ||
| El Rey Bar | SEATBELTS | G Minor | 3 | 6A | 99 BPM | ||
| Suite America Latina | Beto Paciello, John Patitucci, Antonio Sánchez, John Ellis, Rogério Boccato, Anne Boccato | D Major | 1 | 10B | 81 BPM | ||
| Liquid Brains | Cortex, Hedvig Mollestad | F Major | 3 | 7B | 118 BPM | ||
| Waiting for Pea | Roz Harding, Mike Outram, Jim Bashford | B Major | 3 | 1B | 114 BPM | ||
| Road to Banyon | Nick Cave & Warren Ellis | C Major | 2 | 8B | 99 BPM |