On January 1, 2008, the song "Radhe Radhe Mann Bole" was released by Vikram Hazra. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Vikram Hazra's "Krishna" album is number 3 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Radhe Radhe Mann Bole is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Radhe Radhe Mann Bole by Vikram Hazra to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Srirudrashtakam; Goswami Tulsidas (Raga Kedar) | Pandit Chhannulal Mishra | E♭ Major | 5 | 5B | 141 BPM | ||
| Narayana | Sachin Llimaye | C Major | 4 | 8B | 89 BPM | ||
| Jai Siya Raam | Shalini, Srinivas, B. Prasana, Srividya Varchaswi, World Forum For Art & Culture | F Major | 8 | 7B | 62 BPM | ||
| Shree Shiv Manas Pooja | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 4 | 5B | 141 BPM | ||
| Jiya Kab Tak Uljhega | Rekha Trivedi | D♭ Major | 3 | 3B | 92 BPM | ||
| Aarti Shri Ramchandr Ji Ki | Anjali Jain | A♭ Minor | 4 | 1A | 177 BPM | ||
| Nana Sarkha Shreenathji | Dr. Dipali Bhatt, Sachin Limaye, Foram Maheta | F♯ Major | 1 | 2B | 82 BPM | ||
| Naiya Jukavi Meto | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| Bajrangi Mahabali | Vikrant | F Minor | 9 | 4A | 127 BPM | ||
| Shiv Tandav Stotram | रावण रचित शिव तांडव स्त्रोत | Hari cassettes | F♯ Major | 6 | 2B | 80 BPM | ||
| Bhaye Pragat Kripala Deen Dayala | Arpit Srivastava | B Major | 5 | 1B | 130 BPM | ||
| Namah Shivaya | Vikram Hazra | E Minor | 9 | 9A | 111 BPM | ||
| Ganesh Sankat Nashan Stotra | Abdhesh Goswami | G Major | 4 | 9B | 102 BPM | ||
| Brahma Ki Anek Shakti (English) | Bhanumathi Narasimhan, Raaghav Chanana | A Major | 1 | 11B | 139 BPM | ||
| Nitayi Gour Radhe Shyam Hare Krishna Hare Ram | Sur Shyam Gaushala Rajendra Das ji Maharaj | B♭ Major | 3 | 6B | 124 BPM | ||
| Kushmanda | Shalini, Srinivas, Srividya Varchaswi, World Forum For Art & Culture | F Major | 8 | 7B | 62 BPM | ||
| Shri Krishan Govind Hare Murari | Kanishka Negi | E♭ Major | 4 | 5B | 86 BPM | ||
| Tvameva Maata Cha Pitaa Tvameva | Sumeet Tappoo | D♭ Major | 3 | 3B | 105 BPM | ||
| Durga Saptshati Trayodash Adhyaya | SHRI PREM PRAKASH DUBEY | F♯ Minor | 3 | 11A | 146 BPM | ||
| Leke Chalo Palki Shirdi Ke Nath Ki | Sachidanand Appa | A♭ Major | 5 | 4B | 130 BPM | ||
| Vasudeva Jai Jai | Dr. Manikantan Menon | F Minor | 5 | 4A | 85 BPM | ||
| Dashrath Krit Shani Stotra | Aanjaney Sharma Anjul | B Major | 5 | 1B | 130 BPM | ||
| Dwadash Jyotirlinga | Pujya Bhaishree Rameshbhai Ojha | A Major | 3 | 11B | 111 BPM | ||
| Baajivi Bajao Bajao Shehnai | Manish Tiwari | A♭ Major | 6 | 4B | 105 BPM | ||
| Shat Shat Naman Bharat Bhumi Ko | Suryakant Keshari | D♭ Minor | 4 | 12A | 85 BPM |