Dilip Kumar, Madhubala's 'Sahab E Alam Sayad Koi - Dialogues' had a release date set for November 1, 2013. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Naushad's "Mughal-E-Azam (original Motion Picture Soundtrack)" album is number 2 out of 25. On top of that, India appears to be the country where this track was created. Based on our statistics, Sahab E Alam Sayad Koi - Dialogues's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sahab E Alam Sayad Koi - Dialogues by Dilip Kumar, Madhubala to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Hoon Khushrang Henna, Pt. 2 | Lata Mangeshkar, Mohammed Aziz, Ravindra Jain | A Minor | 9 | 8A | 121 BPM | ||
| Maine Rakkha Hai Mohabbat | Mohammed Rafi | F♯ Major | 5 | 2B | 122 BPM | ||
| Aati Hai Raat Odhe Hue Dard Ka Kafan | Abhijeet | G Major | 5 | 9B | 120 BPM | ||
| Ab To Bina Tumhare | Nadeem Shravan, Kumar Sanu | E Major | 7 | 12B | 106 BPM | ||
| Rasta To Mil Gaya Hai | Shabbir Kumar | F Major | 6 | 7B | 84 BPM | ||
| Laal Chunariya Baanh Pujariya | Mamta Raut, Dilip Kumar | G Major | 9 | 9B | 100 BPM | ||
| Tere Dar Ko Chhod Chale | Pankaj Udhas | C Minor | 7 | 5A | 153 BPM | ||
| Imli Ka Boota New | Udit Narayan, Sadhana Sargam, Vivek Varma, Priya Mayekar, Laxmikant–Pyarelal | A Major | 6 | 11B | 87 BPM | ||
| Dheere Dheere Kholungi Main | Alisha Chinai, Shakti Kapoor | G Minor | 8 | 6A | 119 BPM | ||
| Tumne Di Awaz | Shabbir Kumar, R. D. Burman | A Minor | 4 | 8A | 124 BPM | ||
| Sajan O Sajan | Pramila Gupta | G Minor | 5 | 6A | 138 BPM | ||
| Ya Ali Ya Ali | Sudesh Bhosle | D♭ Major | 8 | 3B | 93 BPM | ||
| Kismat Ke Khel Nirale Mere Bhaiya | Ravi | G Major | 4 | 9B | 183 BPM | ||
| Meri Tamannaon Ki Taqdeer Tum | Mukesh, Kalyanji-Anandji | C Major | 4 | 8B | 129 BPM | ||
| Deewane Tere Naam Ke | Sukhwinder Singh, Laxmikant–Pyarelal | E♭ Major | 6 | 5B | 132 BPM | ||
| Prem Deewane | Manhar Udhas, Kavita Krishnamurthy, Laxmikant–Pyarelal | B♭ Minor | 7 | 3A | 127 BPM | ||
| Ae Jaan-E-Chaman Tera Gora Badan | Mahendra Kapoor | E Minor | 5 | 9A | 111 BPM | ||
| Ham Hain Rajkumar | Mohammed Rafi, Shailendra | D♭ Minor | 7 | 12A | 120 BPM | ||
| Hum Tere Bin Kahin Reh Nahin Paate | Anuradha Paudwal, Manhar Udhas | A Minor | 5 | 8A | 126 BPM | ||
| Bana Mohani | Vinod Arya, Dilip Kumar | A♭ Minor | 9 | 1A | 75 BPM | ||
| Andar Baahar Baahar Andar | Suresh Wadkar | C Major | 6 | 8B | 99 BPM | ||
| Marhaba Sayyedi | Mohammed Aziz, Maulana Qudsi | A Minor | 7 | 8A | 164 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Aanewali Hain Milan Ki | Abhijeet | A Major | 8 | 11B | 177 BPM | ||
| Gher Ghaar Ghagro | Jaspinder Narula | F♯ Major | 8 | 2B | 122 BPM |