On May 26, 2025, the song "Goiram Ker Nasha" was released by PHILIP KULDEEP. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Goiram Ker Nasha and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Goiram Ker Nasha's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Goiram Ker Nasha by PHILIP KULDEEP to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ಅವ್ವಾನ ಆಣಿ ಮಾಡ್ತಾನ ವಾರಾತ ಮನಿಯಾಗ ಊಟ ಮಾಡಿಲ್ಲ | Sudeep Helavar | B Minor | 7 | 10A | 135 BPM | ||
| Tore Se Kar Lebau Sadiya Re Jaan | Aashish Yadav | B Major | 9 | 1B | 74 BPM | ||
| Hamjakmani Jora | Manik Debbarma, Urbashi Tripura | F Minor | 5 | 4A | 83 BPM | ||
| Yaad E Nabi Ka Gulshan Mehka Lagta Hai | Hammad Nagri | A Major | 6 | 11B | 87 BPM | ||
| Bonga Kudi | Sagun Hembram | E♭ Major | 4 | 5B | 171 BPM | ||
| Gol Gotha Dahare | Pawan Roy | B♭ Major | 7 | 6B | 171 BPM | ||
| SETIA SABE SAJAN | Kamal AB | A♭ Minor | 8 | 1A | 91 BPM | ||
| Badhyatale | Narayan Rayamajhi, Prashant Tamang | F Major | 7 | 7B | 100 BPM | ||
| Amar Mamu Khalu Nai | Muhammad Badruzzaman | E Minor | 5 | 9A | 124 BPM | ||
| Phone Lagan Man U Keri | Anil Chavan | B Minor | 8 | 10A | 98 BPM | ||
| NINNE NEE ARIYANAMENKIL SUFI SONG | Mansoor Puthanathani | B♭ Major | 5 | 6B | 140 BPM | ||
| A Godom Ba | Ashok Tudu, Sushinta Hansda | E Minor | 8 | 9A | 120 BPM | ||
| Kasto Achamma | Raju Pariyar, Bishnu Majhi | D Minor | 7 | 7A | 78 BPM | ||
| A Mor Kareja | Abhi Rabha, Banita Rabha | F♯ Major | 8 | 2B | 155 BPM | ||
| Kaar Lage Sajechhis Priya | Shankar Tantubai | D♭ Major | 5 | 3B | 140 BPM | ||
| Ashar Alo | Sumaiya | G Minor | 4 | 6A | 82 BPM | ||
| Tuni Bewafai Le Kas Bhulu Sang Ye | Govind Gaykawad, Bhaiya More, Sopan Mahajan | C Major | 9 | 8B | 128 BPM | ||
| TOI BEWAFA | PHILIP KULDEEP, BIRJITA TANTI | C Major | 8 | 8B | 143 BPM | ||
| 阿若博巴 | 阿桑 | B♭ Minor | 6 | 3A | 95 BPM | ||
| Adhar Devi Ro Adhar Baisno | Naresh Mali | D Major | 10 | 10B | 115 BPM | ||
| Sokeen Ki MS Jaan | Kaif Singer Kolani | A♭ Minor | 10 | 1A | 110 BPM | ||
| Piyaka Mundai Mano (feat. Anjali Reang) | MB Bru, Anjali Reang | F♯ Minor | 8 | 11A | 206 BPM | ||
| Lakhamadhi Pakharu Maz Ek Number | Kishor Jawale | D♭ Minor | 9 | 12A | 145 BPM | ||
| Inren Dulariya | Stephan Tudu, Guddy Hembram | G Major | 8 | 9B | 172 BPM | ||
| Luyoka No Ngom Ayang Bimang Emna | D Sankar Gam | E♭ Major | 7 | 5B | 148 BPM |