"Ancor che col partire" by Riccardo Rognoni, Cipriano de Rore, Liam Byrne, Valgeir Sigurðsson, James McVinnie had its release date on May 10, 2019. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 13 in Concrete by Liam Byrne. Going off of the ISRC code of this track, we detected that the origin of this track is from Iceland. Ancor che col partire is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ancor che col partire by Riccardo Rognoni, Cipriano de Rore, Liam Byrne, Valgeir Sigurðsson, James McVinnie is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ad arma, o spiritus | Isabella Leonarda, Les Kapsber'girls | F♯ Major | 2 | 2B | 104 BPM | ||
| Breve è la vita nostra | Domenicho Mazzocchi, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 125 BPM | ||
| Membra Jesu Nostri, BuxWV 75: Sonata [Ad pectus] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
| La Zanetta padovana (Renaissance Lutes & Archlute in Ensemble) | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 0 | 7A | 72 BPM | ||
| Cantate, ariette e duetti, Op. 2: No. 23, I baci | Barbara Strozzi, Dorothee Mields, Hana Blaziková, Hathor Consort, Romina Lischka | F♯ Major | 1 | 2B | 106 BPM | ||
| A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
| Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Galliard (no.21) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | B Major | 0 | 1B | 134 BPM | ||
| Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
| The Fairy Queen, Z. 629: If love’s a sweet passion | Henry Purcell, Anon. after William Shakespeare, Arianna Savall, Petter Udland Johansen, Die Freitagsakademie, Katharina Suske | E♭ Minor | 1 | 2A | 136 BPM | ||
| Spagnoletta | Michael Praetorius, Les Musiciens De Saint-Julien, François Lazarevitch | G Minor | 1 | 6A | 76 BPM | ||
| Anchor che col Partire | Cipriano de Rore, Riccardo Rognoni, Palisander | C Minor | 1 | 5A | 106 BPM | ||
| Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Gwendoline Blondeel, Quito Gato, Pernelle Marzorati | D♭ Minor | 0 | 12A | 174 BPM | ||
| Cantate, ariette, e duetti, Op. 2: No. 9, La vendetta | Barbara Strozzi, Laura Catrani, Accademia dell'Annunciata, Riccardo Doni | C Minor | 1 | 5A | 106 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Dum me mori est necesse" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena | C Minor | 2 | 5A | 90 BPM | ||
| Tandernaken, à 3 | Alexander Agricola, Fretwork | G Major | 1 | 9B | 147 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Suite in G Major: VII. Rondeau | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| L’ombre d'un doute: I. Fanfare | Philippe Hersant, Lucile Boulanger | F♯ Minor | 0 | 11A | 47 BPM | ||
| Anchor che col partire | Cipriano de Rore, Riccardo Rognoni, Ciprano de Rore, Oliver Webber, Steven Devine | B♭ Minor | 1 | 3A | 71 BPM | ||
| Diminutions on "Ancor che col partire" | Riccardo Rognoni, La Sfera Armoniosa | A Minor | 1 | 8A | 64 BPM | ||
| Au joly boys | Hilaire Penet, Into the Winds | B♭ Minor | 0 | 3A | 82 BPM | ||
| Mascarade | Israel Golani | F♯ Minor | 0 | 11A | 76 BPM |