G.P. テレマン, 工藤重典(フルート), リチャード・シーゲル(チェンバロ)'s ' "ソナタ ロ短調 「食卓の音楽」より I. Cantabile" was released on its scheduled release date, July 25, 2018. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 王のためのコンセール 〜フルート・バロック名曲集II〜, so we believe that "ソナタ ロ短調 「食卓の音楽」より I. Cantabile" is a single. ソナタ ロ短調 「食卓の音楽」より I. Cantabile is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of ソナタ ロ短調 「食卓の音楽」より I. Cantabile by G.P. テレマン, 工藤重典(フルート), リチャード・シーゲル(チェンバロ) is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 無伴奏フルートのための12のファンタジー 第5番 ハ長調 | G.P. テレマン, 工藤重典(フルート) | G Major | 1 | 9B | 76 BPM | ||
| ソナタ 第2番 ヘ長調 作品2 Ⅰ. Dolce | G.P. テレマン, 山岡重治(リコーダー), 向江昭雅(リコーダー) | D♭ Minor | 0 | 12A | 70 BPM | ||
| Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340 340 (Moderato): I. Moderato | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | A Major | 0 | 11B | 93 BPM | ||
| 8 Violin Sonatas (1681): Sonata No. 1 in A Major , C. 138 | Heinrich Ignaz Franz von Biber, John Holloway | A♭ Major | 3 | 4B | 128 BPM | ||
| Aire (For the Play "The Mad Lover) [3] | John Eccles, Capella Orlandi Bremen, Thomas Ihlenfeldt | F♯ Minor | 0 | 11A | 97 BPM | ||
| 無伴奏フルートのための12のファンタジー 第7番 ニ長調 | G.P. テレマン, 工藤重典(フルート) | G Major | 1 | 9B | 76 BPM | ||
| De lustelycke Mey | Anonymous, The Royal Wind Music, Paul Leenhouts | D♭ Major | 0 | 3B | 65 BPM | ||
| Desolate Nights | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Duet for 2 Flutes in E Minor, F. 54: III. Vivace | Wilhelm Friedemann Bach, Patrick Gallois, Kazunori Seo | A Major | 1 | 11B | 141 BPM | ||
| Flute Concerto in D Major, TWV 51:D1: I. Andante | Georg Philipp Telemann, Barthold Kuijken, Indianapolis Baroque Orchestra | D♭ Major | 0 | 3B | 92 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: VI. Menuet | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 114 BPM | ||
| Don Juan: IV. Divertissement No. 2 (After Mozart's K. 421) | Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi | F Major | 0 | 7B | 87 BPM | ||
| Cello Sonata in F Major, Op. 1, No. 1: I. Largo | Benedetto Marcello, Collegium Pro Musica | B Major | 1 | 1B | 77 BPM | ||
| Rosary Sonata No. 1 in D Minor "Mariæ Verkündigung": I. Praeludium | Heinrich Ignaz Franz von Biber, Leila Schayegh, La Centifolia | G Major | 1 | 9B | 76 BPM | ||
| Flute Sonata in G Major, Op. 1 No. 5, HWV 363b: I. Adagio | George Frideric Handel, Hans-Martin Linde, Karl Richter, Johannes Koch | G Major | 1 | 9B | 74 BPM | ||
| Sonata for Violin & Harp, Op. 113 (Version for Flute & Harp): III. Rondo. Allegretto | Louis Spohr, András Adorján, Marielle Nordmann | E Major | 1 | 12B | 60 BPM | ||
| Prélude & Andante in C Minor | Philippe Joseph Hinner, Vera Schnider, Eva Saladin | G Major | 1 | 9B | 76 BPM | ||
| Sonata II In G Minor: I. Grave (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 0 | 11A | 132 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI):III. Variazione I | Ernst Krähmer, Claudio Ferrarini | G Major | 1 | 9B | 76 BPM | ||
| 12のファンタジーより 第4番 変ロ長調 | G.P. テレマン, 池田昭子(オーボエ) | C Major | 0 | 8B | 67 BPM | ||
| Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
| Violin Sonata No. 6 in C Minor, C. 143: I. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | B Minor | 1 | 10A | 85 BPM | ||
| Quartet in D Major, KV 285: II. Adagio | Wolfgang Amadeus Mozart, Rita D'Arcangelo, The Polish String Quartet Berlin | G Major | 1 | 9B | 76 BPM | ||
| Berceuse pour flûte et harpe, Op. 16 | Gabriel Fauré, Maxence Larrieu, Susanna Mildonian | C Major | 0 | 8B | 80 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM |