On June 24, 2024, the song "Ayrá" was released by Olóye Felipe. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 20 in Candomblé por Olóye Felipe by Olóye Felipe. Going off of the ISRC code of this track, we detected that the origin of this track is from Brazil. Ayrá is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ayrá by Olóye Felipe is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Agulha Envenenada | Weslly De Iemanja | D♭ Major | 5 | 3B | 75 BPM | ||
| Yemonja | Bàbá Kàyọ̀dé | F♯ Major | 3 | 2B | 134 BPM | ||
| Mata Virgem Mata Real | Formiga, Graveto Capoeira | B♭ Major | 9 | 6B | 75 BPM | ||
| Ìbéjì | Olóye Felipe | D Major | 9 | 10B | 110 BPM | ||
| Oyá | Ilé Wòpò Olójúkàn, Bruno Odessi | A♭ Major | 5 | 4B | 146 BPM | ||
| Iroko | Mestre Hilário, Mestre Erenilton Bagum | G Minor | 9 | 6A | 79 BPM | ||
| Sassanha 3 | Odé Igbó - Cultura e Resistência | A Major | 6 | 11B | 137 BPM | ||
| Kpossun | Huntó Bará Sojí | C Major | 7 | 8B | 92 BPM | ||
| Omulu | Mestre Hilário, Mestre Erenilton Bagum | G Minor | 9 | 6A | 79 BPM | ||
| Saudação a Oxalá Guiã | Pai Cido de Oxum | C Minor | 7 | 5A | 124 BPM | ||
| PONTO DE EXÚ TIRIRI /QUEM NUNCA TEVE UM PESADELO | Ogan Helder | G Major | 4 | 9B | 77 BPM | ||
| Nanã Nana Que Já Oei - Alodê | José Ribeiro e Seus Filhos de Santo do Terreiro Inhasã Egún-Nitá | G Minor | 6 | 6A | 134 BPM | ||
| Ela É Jurubeba Vermelha | Gustavo Omã, Ponto de jurema | D Major | 8 | 10B | 105 BPM | ||
| Canticos dos Orixas Iemanja | Pejigan Anderson de Bessen | G Minor | 7 | 6A | 129 BPM | ||
| Maria Mulambo - Eu Hoje Fui Falar Com O Diabo / Olhei Lá No Cruzeiro Era Maria Mulambo | Alessandro Ty Ogum | A♭ Major | 1 | 4B | 103 BPM | ||
| TERRA DE ANJO CIDADE DE SATANÁS-PONTO DE DEMANDA | Ogan Helder | B Major | 4 | 1B | 83 BPM | ||
| Boiadeiro Navizala Rio das Contas (Tat Manê Pá) | José Ribeiro e Seus Filhos de Santo do Terreiro Inhasã Egún-Nitá | A Minor | 7 | 8A | 85 BPM | ||
| Òsányìn | Olóye Felipe | D Major | 9 | 10B | 110 BPM | ||
| Èsù | Olóye Felipe | F♯ Minor | 7 | 11A | 127 BPM | ||
| Toada Para Oxaguiã | Sítio de Pai Adão | B Minor | 9 | 10A | 160 BPM | ||
| Canto para Oyá | Mestres Navegantes, Terreiro Loba'Nekun, Mãe Lúcia | C Major | 10 | 8B | 172 BPM | ||
| A Panela de Barro Furada Não Dá pra Fazer Meu Guisado / Meche Meche Meche Minha Panela de Ferro / Ele Tá Solto na Cozinha Fazendo Reco Reco na Costela da Galinha / Me Dê Bebe Nem Que Seja Veneno | Bryan De Avagan | G Minor | 9 | 6A | 120 BPM | ||
| Saudação a Exu | Pai Cido de Oxum | A♭ Major | 8 | 4B | 154 BPM | ||
| Obá - Óbá Sagun | Cia de Ogans | B Major | 6 | 1B | 116 BPM | ||
| Alupandê, Alupandê Mariá | Alagbê Igor de Xapanã | E♭ Minor | 6 | 2A | 89 BPM |