"Time" by Hans Zimmer had its release date on July 9, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hans Zimmer's "Inception (Music from the Motion Picture)" album is number 12 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Time's popularity is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Time by Hans Zimmer to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It's a Process | Mychael Danna | F Major | 1 | 7B | 144 BPM | ||
| Machine | Steven Price | C Minor | 2 | 5A | 66 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| The Untold | Secession Studios | D♭ Major | 4 | 3B | 120 BPM | ||
| Launch | Trevor Rabin | C Major | 4 | 8B | 69 BPM | ||
| Seven Worlds One Planet Suite | Hans Zimmer, Jacob Shea | F Major | 4 | 7B | 133 BPM | ||
| The Kiss | Trevor Jones | C Major | 2 | 8B | 103 BPM | ||
| Cloud Atlas Finale | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 2 | 8B | 97 BPM | ||
| 1982 | Superhuman | A Minor | 4 | 8A | 112 BPM | ||
| Destroyer Of Worlds | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| See What I've Become | Zack Hemsey | A♭ Major | 9 | 4B | 120 BPM | ||
| Time (From "Inception") | See Siang Wong, Hans Zimmer | G Major | 0 | 9B | 73 BPM | ||
| Dragonstone | Ramin Djawadi | F Minor | 2 | 4A | 128 BPM | ||
| The All Spark | Steve Jablonsky | D Minor | 3 | 7A | 150 BPM | ||
| Elegy | Lisa Gerrard, Patrick Cassidy | E♭ Major | 2 | 5B | 63 BPM | ||
| Concerning Hobbits | Howard Shore | D Major | 1 | 10B | 104 BPM | ||
| Promentory | Trevor Jones | G Major | 2 | 9B | 86 BPM | ||
| Night | Ludovico Einaudi, Amsterdam Sinfonietta | E♭ Major | 2 | 5B | 107 BPM | ||
| The King | Tony Anderson | G Minor | 3 | 6A | 118 BPM | ||
| Bumblebee | Steve Jablonsky | D Minor | 2 | 7A | 152 BPM | ||
| Oppenheimer | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| A Window to the Past | John Williams | A Minor | 0 | 8A | 107 BPM | ||
| Together We Will Live Forever | Clint Mansell | G Minor | 0 | 6A | 76 BPM |