"Suite Antique for flute, strings and harpsichord: Aria" by John Rutter, Arco Baleno Ensemble had its release date on January 1, 2000. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 18 in Britannia: Music for flute, strings and harpsichord by British composers by Arco Baleno Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Suite Antique for flute, strings and harpsichord: Aria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite Antique for flute, strings and harpsichord: Aria by John Rutter, Arco Baleno Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vivaldi: Flute Concerto in G Minor, Op. 10 No. 2, RV 439 "La notte": I. Largo | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | G Major | 0 | 9B | 113 BPM | ||
| 3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
| Piano Concerto in E, Op. 59: II. Andante | Moritz Moszkowski, Joseph Moog, Nicholas Milton, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern | D♭ Minor | 0 | 12A | 87 BPM | ||
| Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
| Tournier: Quatre préludes: No. 3 Lent | Marcel Tournier, Catherine Michel | C Minor | 0 | 5A | 104 BPM | ||
| Concerto for Oboe and Small Orchestra in D Major, Op. 144: II. Andante | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 79 BPM | ||
| Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
| Double Concerto in E Minor, Op. 88: I. Andante con Moto | Max Bruch, Copenhagen Phil, Vincenzo Milletarí, Giovanni Punzi, Eva Katrine Dalsgaard | D♭ Minor | 0 | 12A | 99 BPM | ||
| Chaconne in A-Flat Minor | Marie Auguste Durand, Janos Balint, Nora Mercz | A♭ Minor | 0 | 1A | 77 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Elegie Op 47, No. 5 | Academy Of St. Christopher Orchestra | D Minor | 0 | 7A | 99 BPM | ||
| Sonata for Violin & Harp in C Minor, WoO 23 (Version for Flute & Harp): I. Adagio - Allegro vivace | Louis Spohr, András Adorján, Marielle Nordmann | D Major | 0 | 10B | 71 BPM | ||
| Souvenir de Florence, Op. 70: II. Adagio cantabile | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D♭ Major | 1 | 3B | 82 BPM | ||
| Schumann: 3 Romances, Op. 94: No. 1, Nicht schnell (Version for Flute and Piano) | Emmanuel Pahud, Eric Le Sage | A Minor | 1 | 8A | 87 BPM | ||
| Rieding: Violin Concerto in B Minor, Op. 35: II. Andante | Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | G Major | 2 | 9B | 95 BPM | ||
| 5 Meditations for Orchestra: No. 4, Lord, Make Me an Instrument of Thy Peace | John Rutter, Manchester Camerata | E Minor | 1 | 9A | 80 BPM | ||
| Symphony in C Major, VB 139: III. Allegro | Joseph Martin Kraus, Swedish Chamber Orchestra, Petter Sundkvist | C Major | 2 | 8B | 142 BPM | ||
| Feuilles d'Automne ("Autumn Leaves") | Alphonse Hasselmans, Philippa Davies, Thelma Owen | G Minor | 0 | 6A | 139 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
| Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 96 BPM | ||
| Tambourin | Donald Sosin, Francois-Joseph Gossec, Nora Shulman, Judy Loman | F Major | 1 | 7B | 136 BPM | ||
| Petite suite, L. 65: I. En bateau (On the Boat) [Transcr. Y. Kondonassis] | Claude Debussy, Yolanda Kondonassis | F♯ Major | 0 | 2B | 88 BPM | ||
| Piazzolla: Oblivion | Julian Lloyd Webber, John Lenehan | D Minor | 0 | 7A | 81 BPM | ||
| Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | ||
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": No. 9, Sheep May Safely Graze (Arr. for Orchestra by John Rutter) | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM |