"String Quartet in D Major, Op. 20 No. 4, Hob. III:34: II. Un poco adagio e affettuoso" by Franz Joseph Haydn, Chiaroscuro Quartet had its release date on July 7, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, Chiaroscuro Quartet's "Haydn: String Quartets, Op. 20 Nos. 4-6" album is number 2 out of 12. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, String Quartet in D Major, Op. 20 No. 4, Hob. III:34: II. Un poco adagio e affettuoso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet in D Major, Op. 20 No. 4, Hob. III:34: II. Un poco adagio e affettuoso by Franz Joseph Haydn, Chiaroscuro Quartet to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto Pour Alto Et Orchestre En Ré Majeur : I Allegro (Cadence : Franz Beyer) | Gérard Caussé, Solistes de Montpellier-Moscou | A Major | 1 | 11B | 126 BPM | ||
| Armide, Acte I: Ouverture | Jean-Baptiste Lully, Louis-Joseph Francoeur, Le Concert Spirituel, Herve Niquet | F Minor | 3 | 4A | 166 BPM | ||
| Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
| Overture in D Major, Op. 8, No. 2: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | C Minor | 1 | 5A | 102 BPM | ||
| String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - I. Allegro con brio | Beethoven | A Major | 1 | 11B | 110 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: II. Scherzo. Molto vivace | Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | B♭ Major | 3 | 6B | 108 BPM | ||
| Streichquartett B-Dur, Op. 76 Nr. 4, Hob. III:78: I. Allegro con spirito | Franz Joseph Haydn, Gewandhaus Quartet | B♭ Major | 1 | 6B | 139 BPM | ||
| Violin Concerto in G Major, Op. 2 No. 1: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 124 BPM | ||
| Symphony No. 12 in D Major: III. Allegro assai | William Herschel, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 154 BPM | ||
| Symphony No. 35 KV385 in DMajor "Haffner": Allegro con spirito | Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 79 BPM | ||
| El rapto de las Sabinas, Suite No. 2, Acto II, No. 14: Maestoso | Joan Enric Lluna, Moonwinds | E♭ Major | 1 | 5B | 135 BPM | ||
| Cello Concerto No. 1 in G Major: III. Rondo. Allegro | Carl Stamitz, Kurpfalz Chamber Orchestra Ludwigshafen-Mannheim, Klaus-Peter Hahn | G Major | 1 | 9B | 136 BPM | ||
| Sextet in D Major, B24: III. Rondo. Allegretto | Antonio Rosetti, Compagnia di Punto | F Major | 1 | 7B | 95 BPM | ||
| Concertino in G Major, Op. 73: III. Rondo | Johann Nepomuk Hummel, London Mozart Players | B Minor | 1 | 10A | 125 BPM | ||
| Keyboard Concerto in C Major, Wq. 20: II. Adagio ma non troppo | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | C Major | 1 | 8B | 136 BPM | ||
| La locandiera Overture: III. Presto | Antonio Salieri, Matthias Bamert, London Mozart Players | F Major | 0 | 7B | 78 BPM | ||
| Overture in B-Flat Major, Op. 8, No. 1: III. Tempo di minuetto | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 1 | 9B | 106 BPM | ||
| Die Geschöpfe des Prometheus, Op. 43 (Excerpts): Overture | Ludwig van Beethoven, Turku Philharmonic Orchestra, Leif Segerstam | C Major | 1 | 8B | 135 BPM | ||
| Symphony in D Major: III. Allegro | Giovanni Paisiello, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 89 BPM | ||
| Symphony in D Major, Op. 18, No. 2: IV. Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | E Major | 0 | 12B | 76 BPM | ||
| String Quartet No. 2 in D Major, K. 155: I. Allegro | Eder Quartet | D Major | 1 | 10B | 128 BPM | ||
| Duo for Violin and Viola in E Minor, Op. 13: II. Adagio | Louis Spohr, Antje Weithaas, Tabea Zimmermann | C Major | 0 | 8B | 127 BPM | ||
| Prokofiev: String Quartet No. 2, Op. 92: II. Adagio | Sergei Prokofiev, Quartetto Italiano | A Major | 1 | 11B | 110 BPM | ||
| Divertimento (Cassation) a 5 in G Major, Hob. II:2: III. Menuett I - Trio | Franz Joseph Haydn, Haydn Sinfonietta Wien, Manfred Huss | F Major | 2 | 7B | 151 BPM | ||
| Mozart Concerto K299 Andantino | Claudia Antonelli | F Major | 0 | 7B | 112 BPM |