Roy Chubby Brown's 'He's a Cunt' had a release date set for 2013. He's a Cunt is considered explicit and may be unsafe for children or offensive to some people. This song is part of Who Ate All the Pies by Roy Chubby Brown. The song's track number on the album is #5 out of 8 tracks. In terms of popularity, He's a Cunt is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since He's a Cunt by Roy Chubby Brown has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With He's a Cunt being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scene 7: Plays Of The Month | The 12th Man | A Minor | 9 | 8A | 144 BPM | ||
| The Wife | Roy Chubby Brown | D♭ Minor | 7 | 12A | 90 BPM | ||
| Miscellaneous 1 | Milton Jones | D Major | 4 | 10B | 88 BPM | ||
| The Living room | Paul Foot | D Minor | 9 | 7A | 76 BPM | ||
| Top Gear | John Bishop | E♭ Minor | 4 | 2A | 88 BPM | ||
| Political Correctness | Stewart Lee | F Minor | 3 | 4A | 78 BPM | ||
| Thunder Thighs | Roy Chubby Brown | C Major | 7 | 8B | 144 BPM | ||
| Clap | Sarah Millican | D♭ Major | 9 | 3B | 86 BPM | ||
| Cornish Kilt | Jethro | A Major | 3 | 11B | 119 BPM | ||
| Fucksticks | Kunt and the Gang | G Major | 5 | 9B | 130 BPM | ||
| Dictaphone | Kevin Bloody Wilson | D Major | 7 | 10B | 120 BPM | ||
| The Last Laugh | Rhod Gilbert | E Minor | 8 | 9A | 123 BPM | ||
| West Country Terrorism | Jack Whitehall | A Major | 7 | 11B | 93 BPM | ||
| It's Make or Break | Rhod Gilbert | B♭ Major | 9 | 6B | 84 BPM | ||
| Opening Up | Romesh Ranganathan | B Minor | 8 | 10A | 93 BPM | ||
| Menopause | Jenny Talia | G Major | 8 | 9B | 75 BPM | ||
| Fuck for a Living | Jenny Talia | B Major | 7 | 1B | 160 BPM | ||
| Selfish Mum | Greg Davies | E Major | 5 | 12B | 85 BPM | ||
| The Fifth Mass Extinction and the Cognitive Revolution | Eddie Izzard | B Minor | 4 | 10A | 134 BPM | ||
| Speccy Four Eyes | Victoria Wood | A Minor | 5 | 8A | 103 BPM | ||
| Favourite Birds | Tim Vine | D♭ Major | 10 | 3B | 99 BPM | ||
| Meat Raffles | Danny Bhoy | D Major | 6 | 10B | 152 BPM | ||
| She's Really Evil | Jo Brand | D Major | 9 | 10B | 131 BPM | ||
| The Chinese Takeaway | Brendan Grace | D Major | 6 | 10B | 118 BPM | ||
| The Breakdown | Rhod Gilbert | B♭ Minor | 9 | 3A | 82 BPM |