PROJECT ACES, Bandai Namco Game Music's 'Ending Atract (Extra)' had a release date set for September 12, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 29 out of 35 in ACE COMBAT 2 Original Soundtrack by PROJECT ACES, Bandai Namco Game Music. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Ending Atract (Extra)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ending Atract (Extra) by PROJECT ACES, Bandai Namco Game Music is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 5/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Colossus Ira Omega | Tsutomu Narita | A Minor | 6 | 8A | 110 BPM | ||
| FS-12 Revoker | Jeremy Sahl, Justin Sahl | D♭ Major | 4 | 3B | 170 BPM | ||
| Through the Clouds | Gaijin Entertainment, Jimmie Asche, Nikita Mokrov | D♭ Major | 5 | 3B | 140 BPM | ||
| Tango Line | Net-Zone | B Minor | 8 | 10A | 128 BPM | ||
| Fullmetal Frontline | Jose Pavli | G Major | 8 | 9B | 112 BPM | ||
| Recapture | Falcom Sound Team jdk | A Major | 2 | 11B | 162 BPM | ||
| THE LIBERATION OF GRACEMERIA | PROJECT ACES, Bandai Namco Game Music | F Major | 7 | 7B | 140 BPM | ||
| Gunther Bay | PROJECT ACES, Bandai Namco Game Music | E Minor | 0 | 9A | 72 BPM | ||
| Confrontation | PROJECT SOUL, Bandai Namco Game Music | G Minor | 1 | 6A | 114 BPM | ||
| Providence | Seibin, SHIFT UP | G Major | 5 | 9B | 107 BPM | ||
| Proof of a Hero - Rise Version | 堀諭史 | G Minor | 2 | 6A | 128 BPM | ||
| King's Court -Thailand Stage- | Hideyuki Fukasawa | D Major | 8 | 10B | 164 BPM | ||
| Bandit at 6 O'clock | Gaijin Entertainment, Jimmie Asche, Nikita Mokrov | E Minor | 0 | 9A | 75 BPM | ||
| Terminal | Jeremy Sahl, Justin Sahl | B Minor | 6 | 10A | 160 BPM | ||
| The Right Side of History | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| Fanfare For Aces | Lucas Ricciotti, Alex Deng | A♭ Minor | 2 | 1A | 140 BPM | ||
| Interdiction | Gaijin Entertainment, Jimmie Asche, Nikita Mokrov | E♭ Major | 6 | 5B | 130 BPM | ||
| THROUGH MOLTEN CAVES | PROJECT SOUL, Bandai Namco Game Music | C Minor | 7 | 5A | 96 BPM | ||
| Gigas | Hyunmin Cho, SHIFT UP | D♭ Major | 9 | 3B | 160 BPM | ||
| OKB Zero | Ludvig Forssell | F Minor | 10 | 4A | 108 BPM | ||
| Underlegion Overture | Jordan Chin | E♭ Major | 5 | 5B | 98 BPM | ||
| Arrival of Erusea | Lucas Ricciotti | D Minor | 6 | 7A | 140 BPM | ||
| Kai | Meteor | A Major | 9 | 11B | 140 BPM | ||
| Readiness | Naoshi Mizuta | D Minor | 3 | 7A | 186 BPM | ||
| Abandoned Temple Final 1st | TEKKEN Project, Bandai Namco Game Music | B Minor | 8 | 10A | 200 BPM |