"Die Csárdásfürstin: Prelude" by Emmerich Kálmán, Ray Woodfield, Rundfunkblasorchester Leipzig, Jan Cober had its release date on 2005. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ray Woodfield, Rundfunkblasorchester Leipzig, Jan Cober's "Great Vienna Classics" album is number 4 out of 16. On top of that, Switzerland appears to be the country where this track was created. Based on our statistics, Die Csárdásfürstin: Prelude's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Csárdásfürstin: Prelude by Emmerich Kálmán, Ray Woodfield, Rundfunkblasorchester Leipzig, Jan Cober to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oh What a Beautiful Morning | Richard Rodgers, Douglas Ellen Sisemore, Lisa Moorish, André Rieu | F Major | 5 | 7B | 86 BPM | ||
| Im weißen Rössl am Wolfgangsee | Ralph Benatzky, Rudolf Schock, Ingeborg Hallstein, Johannes Fehring | G Major | 4 | 9B | 79 BPM | ||
| Carmen / Act 3: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 121 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Act II: Duett: Tanzen mochte ich (Sylva, Edwin) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | D Minor | 3 | 7A | 109 BPM | ||
| Hernanado's Hideaway | Annunzio Paolo Mantovani | D♭ Major | 2 | 3B | 123 BPM | ||
| Schönfeld-Marsch, Op. 422 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | D Major | 3 | 10B | 120 BPM | ||
| Morfinvals | Nicklas Schmidt, Danish National Symphony Orchestra | G Minor | 1 | 6A | 117 BPM | ||
| Rigoletto "Scorrendo muti remota via" | Alessio Busanel And His Orchestra | G Major | 4 | 9B | 168 BPM | ||
| Auf der Jagd (Polka) (Liveaufnahme) | Johann Strauss Orchester | A Major | 7 | 11B | 168 BPM | ||
| Salomé (Arr. André Rieu) | Robert Stolz, André Rieu, Johann Strauss Orchestra | A Major | 3 | 11B | 111 BPM | ||
| Der Vogelhändler: Schenkt man sich Rosen in Tirol | Carl Zeller, Rudolf Schock, Erika Köth, Frank Fox | B♭ Major | 3 | 6B | 84 BPM | ||
| La Gazza Ladra: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | E Minor | 3 | 9A | 145 BPM | ||
| Die Csárdásfürstin: Entrance Song | Emmerich Kálmán, Leo Stein, Bela Jenbach, Yvonne Kenny, Richard Bonynge, Melbourne Symphony Orchestra | C Minor | 4 | 5A | 89 BPM | ||
| Fucik : Florentiner-Marsch Op.214 | Julius Fučík, Václav Neumann, Czech Philharmonic | F Major | 4 | 7B | 125 BPM | ||
| Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
| Vals del Tesoro | George Henkla | C Major | 2 | 8B | 92 BPM | ||
| Eva | Orquesta Filarmonica de Rumania | D Major | 6 | 10B | 115 BPM | ||
| And Der Schönen Blauen Donau, Op.314 (The Blue Danube Waltz / Le Beau Danube Bleu Valse) | Ricci Ferra | D Major | 3 | 10B | 94 BPM | ||
| Sinfonía n. 1 en do mayor (Opus 21) | Ludwig van Beethoven, Waldo De Los Ríos | C Major | 7 | 8B | 133 BPM | ||
| The Csardas Princess, Act 2: Sylvia's Entrance Song | Emmerich Kálmán, Orchestra Of The State Operetta Theater, Tamás Bródy | D Major | 1 | 10B | 141 BPM | ||
| Die Herzogin von Chicago / Act 2: 15b: Wenn der Sonne Flammenschein abends am Missouri.. | Emmerich Kálmán, Deborah Riedel, Endrik Wottrich, Deutsches Symphonie-Orchester Berlin, Richard Bonynge | E Major | 3 | 12B | 93 BPM | ||
| Annern-Polkaern Polka | Walzer Orchestra | C Major | 3 | 8B | 90 BPM | ||
| Morgenblätter-Walzer Op.279 | Ricci Ferra | A Minor | 2 | 8A | 185 BPM | ||
| Frühlingsstimmen | Walzer Orchestra | B♭ Major | 3 | 6B | 99 BPM | ||
| Wein, Weib Und Gesang, Walzer Op.333 (Wine, Woman And Song, Waltz Op.333 / Aimer, Boire Et Chanter, Valse Op.333 / Vino, Donna E Canto, Valzer Op.333 / Vino, Mujeres Y Canciones, Vals Op.333) | Ricci Ferra | B♭ Major | 2 | 6B | 185 BPM |