- BPM
- 169
- Key
- F Major
- Camelot
- 7B
Malia by Katia Ricciarelli Song Details
"Malia" by Katia Ricciarelli had its release date on April 26, 2012. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Serenata". In this album, this song's track order is #7. The popularity of Malia is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Malia by Katia Ricciarelli having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -12.368 dB
- Acousticness
- 99%
- Danceability
- 29%
- Energy
- 20%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 79%
- Speechiness
- 5%
- Valence
- 11%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La traviata, Act II: Alfredo, Alfredo, di questo core | Giuseppe Verdi, Ileana Cotrubas, Stefania Malagu, Sherrill Milnes, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Carlos Kleiber, Bavarian State Orchestra | E♭ Major | 2 | 5B | 78 BPM | |
 | Stabat Mater: 3. Quis est homo qui non fleret | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Philharmonia Orchestra, Carlo Maria Giulini | E Major | 1 | 12B | 72 BPM | |
 | Rusalka, Op. 114 / Act 1: Stalerá moudrost tvá vsechno vi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | |
 | Il Barbiere di Siviglia: La calunnia è un venticello - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | |
 | La bohème, Act I: Questo mar rosso | Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan | C Major | 9 | 8B | 124 BPM | |
 | Così fan tutte, K. 588 / Act I: "Come scoglio" | Wolfgang Amadeus Mozart, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 1 | 7B | 125 BPM | |
 | Carmen (1997 - Remaster), Act III: Quelques lignes plus bas | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 88 BPM | |
 | Der fliegende Holländer, Act III: Willst jenen Tag du nicht dich mehr entsinnen "Cavatina" | Richard Wagner, René Kollo, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | |
| Bizet: Carmen, Act 1: "Voici l'ordre; partez" (Zuñiga, Carmen) | Georges Bizet, Maria Callas/Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D♭ Major | 1 | 3B | 115 BPM | |
 | Verdi: Aida, Act 2: "Chi mai fra gl'inni e i plausi" (Coro, Amneris) | Giuseppe Verdi, Riccardo Muti, Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, New Philharmonia Orchestra | G Minor | 1 | 6A | 88 BPM | |
 | Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | |
 | Pagliacci / Act 1: "Qual fiamma aveva nel guardo!" | Ruggero Leoncavallo, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè | D Major | 1 | 10B | 172 BPM | |
| Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | |
 | Carmen / Act 1: Ma Mère, je la vois! | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 144 BPM | |
| Stabat Mater: 6. Sancta Mater istud agas | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | A♭ Major | 1 | 4B | 71 BPM | |
| Pagliacci / Act 2: "Arlecchin! Colombina!" - "Prendi questo narcotico" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 1 | 12B | 124 BPM | |
 | Mascagni: Cavalleria rusticana: Easter Hymn. "Regina coeli laetare" | Pietro Mascagni, Helen Field, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Paul Griffiths | E♭ Major | 2 | 5B | 125 BPM | |
 | Rossini: Guillaume Tell, Act 4: Final. "Pourquoi ta présence, ô mon père !" (Arnold, Guillaume, Hedwige, Jemmy, Mathilde, Gessler, Walter, Chœur) | Gioachino Rossini, Lamberto Gardelli, Ambrosian Opera Chorus, Gabriel Bacquier, Jocelyne Taillon, Kolos Kovacs, Louis Hendrikx, Mady Mesplé, Montserrat Caballé, Nicolai Gedda, Royal Philharmonic Orchestra | C Major | 2 | 8B | 78 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | |
 | Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | |
 | Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | |
 | Andrea Chénier / Act 4: La nostra morte è il trionfo dell'amor | Umberto Giordano, Montserrat Caballé, Luciano Pavarotti, Giuseppe Morresi, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 4 | 2B | 88 BPM | |
 | Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | |
 | Don Giovanni, K. 527, Act I: Dalla sua pace | Wolfgang Amadeus Mozart, Cesare Valletti, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 1 | 6B | 112 BPM | |
 | Il viaggio a Reims, Act I: Sextet: Non pavento alcun periglio | Gioachino Rossini, Francisco Araiza, Katia Ricciarelli, Ruggero Raimondi, Lucia Valentini Terrani, Enzo Dara, Leo Nucci, Chamber Orchestra of Europe, Claudio Abbado | A♭ Major | 1 | 4B | 140 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records