"The Thrill Is Gone" by Klaus Gesing had its release date on February 15, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Realtime". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Austria. The Thrill Is Gone is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Thrill Is Gone by Klaus Gesing having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Desert Reflection | Renaud Garcia-Fons | C Major | 5 | 8B | 128 BPM | ||
| 22 | Mats Eilertsen, Harmen Fraanje, Thomas Strønen | B♭ Minor | 1 | 3A | 132 BPM | ||
| Nigun Funke | Yosef Gutman | A♭ Minor | 1 | 1A | 100 BPM | ||
| Space Is the Place | Carsten Dahl, Arild Andersen, Jon Christensen | C Minor | 0 | 5A | 119 BPM | ||
| 1210 | Klaus Gesing, Ana Pilat, Latvian Radio Big Band | F Major | 5 | 7B | 82 BPM | ||
| Wild Bird | John Surman, Karin Krog, Terje Rypdal, Vigleik Storaas | B♭ Major | 2 | 6B | 129 BPM | ||
| Un théâtre sur les docks | Louis Sclavis, Benjamin Moussay, Olivier Laisney, Sarah Murcia, Christophe Lavergne | A Major | 4 | 11B | 120 BPM | ||
| Snowflakes | Klaus Gesing | E♭ Major | 0 | 5B | 137 BPM | ||
| Selon Moi | Alboran Trio | C Major | 2 | 8B | 104 BPM | ||
| Power love | JOASIM BIGIO REYES | A♭ Minor | 1 | 1A | 100 BPM | ||
| Evora | Studnitzky | B Minor | 3 | 10A | 137 BPM | ||
| Coda | Morten Haxholm, Luboš Soukup, Nikolaj Hess | G Minor | 3 | 6A | 122 BPM | ||
| La Mar Quieta, Tú, Yo Pensando | Roberto Fonseca, Vincent Segal | A♭ Minor | 1 | 1A | 100 BPM | ||
| Because | Anthony Wilson Nonet | C Major | 5 | 8B | 142 BPM | ||
| Placid In Africansque | Nitai Hershkovits | A Minor | 0 | 8A | 132 BPM | ||
| The Sacred Place | Joel Ross | A♭ Minor | 1 | 1A | 100 BPM | ||
| Composition 6 | Peter Herbert, Uli Rennert, Klaus Gesing | D Major | 1 | 10B | 83 BPM | ||
| Part 4 | Ivo Perelman, Wadada Leo Smith | A♭ Minor | 1 | 1A | 100 BPM | ||
| Take the C- Train (feat. Klaus Gesing) | Marco Bolfelli Trio, Klaus Gesing | E Minor | 1 | 9A | 75 BPM | ||
| At Home | Misha Alperin | B♭ Major | 0 | 6B | 139 BPM | ||
| Agnus Dei | Trygve Seim, Andreas Utnem | D Major | 0 | 10B | 127 BPM | ||
| Возможный я | Shura Би-2 | A♭ Minor | 1 | 1A | 100 BPM | ||
| Roma | Michel Godard, Steve Swallow | A♭ Major | 1 | 4B | 76 BPM | ||
| O Que Sera | Antonio Faraò | A♭ Minor | 1 | 1A | 100 BPM | ||
| Her singing | Ketil Bjørnstad | E Minor | 2 | 9A | 100 BPM |