"The Swan (Saint-Saëns/Anderson & Roe)" by Anderson & Roe had its release date on January 1, 2008. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. The Swan (Saint-Saëns/Anderson & Roe)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 22 in Anderson & Roe Piano Duo: Reimagine by Anderson & Roe. The Swan (Saint-Saëns/Anderson & Roe) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Swan (Saint-Saëns/Anderson & Roe) by Anderson & Roe is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne In D-Flat Major, Op. 27, No. 2 | Frédéric Chopin, Leon Fleisher | D♭ Major | 0 | 3B | 73 BPM | ||
| Rachmaninov: 8 Études-tableaux, Op. 33: No. 2 in C Major | Sergei Rachmaninoff, Hélène Grimaud | F Major | 0 | 7B | 73 BPM | ||
| Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Samson François, Orchestre De La Société Des Concerts Du Conservatoire, André Cluytens | A♭ Major | 2 | 4B | 126 BPM | ||
| 2 Arabesques: No. 1 in E Major | Claude Debussy, Nino Gvetadze | E Major | 0 | 12B | 66 BPM | ||
| Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | G Minor | 0 | 6A | 138 BPM | ||
| Impromptus, D 899, Op. 90: IV. Allegretto | Franz Schubert, Rudolf Buchbinder | A♭ Major | 0 | 4B | 73 BPM | ||
| Clair de lune - Nitin Sawhney Version | Hélène Grimaud, Nitin Sawhney | D♭ Major | 0 | 3B | 64 BPM | ||
| Chopin / Arr Balakirev : Piano Concerto No.1 in E minor Op.11 : II Romance | Frédéric Chopin, James Rhodes | E Major | 1 | 12B | 59 BPM | ||
| Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
| Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Ingolf Wunder | D♭ Major | 0 | 3B | 134 BPM | ||
| Fauré: 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major | Gabriel Fauré, Alexandre Tharaud | A♭ Major | 0 | 4B | 69 BPM | ||
| Deuxieme livre, Suite en Mi: I. Allemande | Jean-Philippe Rameau, Alexander Paley | E Minor | 0 | 9A | 69 BPM | ||
| Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78 | Felix Mendelssohn, Javier Perianes | G Minor | 0 | 6A | 75 BPM | ||
| Für Alina in B Minor | Arvo Pärt, Khatia Buniatishvili | F♯ Major | 0 | 2B | 85 BPM | ||
| Suite en la: Allemande | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
| En vacances: Où l'on entend une vieille boite à musique: | Déodat de Séverac, Anne Queffélec | B♭ Major | 2 | 6B | 106 BPM | ||
| Nocturne No.18 in F Major, H.62 | John Field, Elizabeth Joy Roe | F Major | 0 | 7B | 72 BPM | ||
| Moods, 24 Short Pieces for Piano: XXIII. Duet | Mikael Tariverdiev, Evgeny Soifertis | B♭ Minor | 1 | 3A | 69 BPM | ||
| Keyboard Sonata in B-Flat Major, K.266/L.48/P.251: Andante | Domenico Scarlatti, Benjamin Frith | B♭ Major | 0 | 6B | 151 BPM | ||
| Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Beatrice Rauchs | C Minor | 1 | 5A | 78 BPM | ||
| Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | E Major | 0 | 12B | 106 BPM | ||
| Les Baricades Misterieuses | François Couperin, Evgenia Papadimas | B♭ Major | 0 | 6B | 73 BPM | ||
| Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
| Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 4, Larghetto | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | C Minor | 0 | 5A | 143 BPM | ||
| Erlkonig, Op. 1, D. 328 (Arr. G. Anderson and e. J. Roe) | Anderson & Roe | G Minor | 1 | 6A | 82 BPM |