- BPM
- 106
- Key
- F♯ Major
- Camelot
- 2B
Concerto in F: 2. Adagio by George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester Leipzig Song Details
"Concerto in F: 2. Adagio" by George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester Leipzig had its release date on January 1, 2010. This song appears to be safe for all ages as it is not explicit. The track order of this song in George Gershwin, Stefano Bollani, Gewandhausorchester Leipzig, Riccardo Chailly's "Gershwin: Rhapsody in Blue; Piano Concerto in F; Catfish Row etc" album is number 8 out of 10. In terms of popularity, Concerto in F: 2. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Concerto in F: 2. Adagio by George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester Leipzig to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Music Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 7%
- Loudness
- -23.628 dB
- Acousticness
- 98%
- Danceability
- 27%
- Energy
- 4%
- Instrumentalness
- 92%
- Liveness
- 10%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | |
 | Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | |
 | Sentimentale, Pt. 1 | Claude Bolling, Jean-Pierre Rampal, Max Hédiguer, Marcel Sabiani | F Minor | 3 | 4A | 84 BPM | |
 | Fascinatin' Rhythm: I've Got Rhythm | Leon Bates, George Gershwin | D♭ Major | 2 | 3B | 175 BPM | |
 | Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | F Minor | 4 | 4A | 80 BPM | |
 | Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | |
 | Elegy No. 1 in D Major | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | D Major | 0 | 10B | 89 BPM | |
 | Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | |
 | Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | |
 | Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | |
 | Clarinet Sonata in E-Flat Major, Op. 167, R. 147: Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | E♭ Major | 0 | 5B | 128 BPM | |
 | Grand Fantasy on Porgy and Bess: Summertime (after G. Gershwin) | Earl Wild, Isata Kanneh-Mason | A♭ Minor | 1 | 1A | 74 BPM | |
 | Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker | C Minor | 0 | 5A | 175 BPM | |
 | I Can Give You the Starlight (From "The Dancing Years") [Arr. S. Mulligan for Piano] | Ivor Novello, Simon Mulligan | E♭ Major | 0 | 5B | 67 BPM | |
 | Symphony No. 1, "Afro-american": I. Longing (Moderato assai) | William Grant Still, Fort Smith Symphony | A♭ Major | 0 | 4B | 81 BPM | |
 | Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | |
 | Someone to Watch over Me (Arr. for Piano) - From "Oh Kay!" | George Gershwin, André Previn | B♭ Major | 0 | 6B | 112 BPM | |
 | Clarinet Concerto | Artie Shaw, John Bruce Yeh, DePaul University Jazz Ensemble, Robert Lark | F Major | 4 | 7B | 102 BPM | |
 | 3 Small Tone Poems: No. 1, Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 71 BPM | |
 | Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | |
 | Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | |
 | Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | |
 | Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records